Monday, September 29, 2014

not the best first impression.

Charlotte

The tenants at Cold Crescent are used to the strange, intense young people who come and go from the tech company that occupies the upper floors. Start-up, you know, or defense contractor or whatever - that's what strangers might think, when they think about the tops floors. If they think about them.

You get used to anything. You get used to everything.

During office hours the Garou try to stay away from the public spaces. Avoid rush hour in the elevator bays, keep to the industrial stairwells threaded through the structure that business people avoid when traveling between floors.

Upstairs, 5:30ish, sun still bright in the sky, one of the express elevators opens up and spills two of those too-bright youths onto one of the limited-access floors.

They are: bruised and a bit blooded, and also: fine. They're wolves. Their bodies can heal from anything short of death, and even then they can return. Gaia's fucking immune system.

"I'm starving," Charlotte to Erich, of the tinypack, as they emerge from the elevator. "I wanna order sushi pizza. We can get you a meatzza."

She doesn't know what that is.

She might have just made that up.

They haven't Talked About Things in a while, which is probably good. Sometimes that doesn't go so well.

Erich

"What's a sushi pizza?"

Erich is scraped and bruised and victorious. Erich is carrying some sort of groddy trophy over his shoulder in a watertight sack, aka a bodybag, only this one is all festive and blue or red or something so people don't necessarily think bodybag when they see it. He dumps it on the floor: SQUISH-clatter-bonk-bonk. Dusts his hands off, blows out a breath.

"They don't make meatzzas. I tried once to order a pizza without the dough but they were like, it'll just melt and fall through the grill if we try to put it in the oven. But we can buy pepperoni and sausage and ham and bacon and mush it all together with a bit of mozzarella and a bit of pizza sauce and a lot of italian seasoning and it basically tastes the same."

Goldie Lennox

"-- and I guess I'm just kinda let down," Goldie was in the middle of explaining when the elevator doors next to the ones that spilled out a Shadow Lord and Silver Fang (well isn't that a funny duo) opened up as well. "I mean, how stereotypical that the rural place is full of fun-suckers. Do you think it's because they leave sticks laying around the challenge circle? So, like, when someone falls down it goes right up their assholes?"

The 'right' was complete with a rather violent gesture, where Goldie used her hands to creatively represent a visual of what a stick going up a rectum must look like. She'd stepped out of the elevator mid animated chatter, hands leading the way through the air ahead.

She and Matthew were together on this visit, and they brought evidence of the thunder and rain from the world outside with them. Goldie was wearing a yellow raincoat that still held drops on its water resistant fabric, unzipped and hood pushed down. Under that was a white-and-black striped T-shirt, which went well with a pair of very tight black jeans and her favorite black boots. An equally black scarf knit in a loop was wrapped about her neck, and moisture clung to it in places as well.

And speaking of moisture, a 'squelch-squish' sound pulled her attention to the duo up ahead.

It was a dramatic gesture when she pointed at the waterproof red-and-blue bag of festivity and nasty. "What is that?"

Charlotte

"What if you took like chicken skin and cooked it 'til it was crispy like dough and then put the toppings on it?" Charlotte asks. She is: somewhat tallish (5'7ish?) willowy thing who has the sort of physicality of a supermodel, at least from a distance. This spare and lean and nearly child-like frame. Call her: waifish. "I bet that would be pretty good. And I don't know what sushi pizza is. I just want to try it."

She is a fan of mixing: cereals, sodas, and virtually anything else that strikes her shifting fancy until it resembles nothing-like-food. She is also: pure bred as fuck.

Shining. Lovely. Mad.

Do not call her: squeamish. They are somewhere and Erich is dumping the brightly colored tye-dyed bodybag on the linoleum floor of an open space in the center of one of the floors that serves as you know, meeting room and monster-gutting facility and the creature is stilling down on her haunches, reaching up for the zipper.

"It was a person. Then his heart got eaten up by worms and he grew a second face on his back and an arm like a 'gator's head and a stupid donkey tail."

Like evolution, the Wyrm is not always practical in its investments.

Flick flick. Pale pale eyes, curious and (shockingly! Erich!) rather oddly forthright as she unzips the prize. "Who are you?"

Erich

"I don't know." Erich looks dubious. "I mean that could be amazing, but it could also be really fucking gross. Let's try it sometime. Is sushi pizza really a thing, or did you just make that up too?"

They are interrupted. Or rather, they are discovered. Ding! goes the other elevator bell, and Erich turns, face all animated and mid-conversation, expression all expectant. Out comes... two people he hasn't met before. One of them wants to know what's in the bag.

"Honor and glory for me, blondie," he says, right as Charlotte is being a tad bit more specific about the contents. Not that he isn't blond, himself, because he is. Not quite as white-blond as Charlotte though, or even so golden-blond as he was when he was like, eighteen, sixteen, six years old. Darker with the oncoming winter, now.

Also, echoing his tinypack-sister: "Who're you guys?"

Matthew Murphy

"Do I think that?"

Look at his face. He's so perturbed by Goldie's vulgarity that he doesn't even want to dignify it with a response. He does it anyway though. Just in case anyone heard the silence after the question and thought the silence implied agreement. He does not agree with her. Not even a little.

He's saved from further exploration of the topic by the No Moon's dramatics. As he steps out of the elevator it's obvious he recognizes neither Charlotte who he has never met before nor Erich who he met in darkness under less than ideal circumstances. If he were to ever breed his children would be Kinfolk if they would not be fated to Change. His bearing and his blood tells of the strength of his lineage. He's wearing work boots and jeans and a rain-slicked jacket but there's no mistaking him for anything other than Fianna.

Hearing the question echoed has Matt slowly looking sidelong at Goldie like to ask her if she's going to answer them or not.

Charlotte

"It's real." Charlotte assures Erich, of the sushi-pizza. She does this: solemnly. She has a face that is suited for such solemnities, you must know. These huge pale blue eyes and this aristocratic skin and a certain frame and bearing even with her strange and still somehow adolescent gawkiness that is,

you know,

kingly. "They have it in Montreal. It's really, really good. You'd like it if you could get rice. Or I figure you could just buy a pizza and put sushi on it. Maybe you could just make a crust out of hamburger though. Then top it. We should try to make a meattzza when we go back home."

Goldie Lennox

"Us?"

Well, Goldie did have a pentiant for the dramatic. Perhaps the due date that her mother was given landed under a Gibbous moon-- she was born a little early, after all. Either way, Goldie proudly jammed a thumb to her chest and jutted her chin out when she proclaimed:

"We're Fianna."

As though that should say it all. She glanced briefly to Matthew, then jammed that same thumb through the air in his direction. There had been a pause there where she'd considered putting one hand on his back and smacking the other hand into the bartender Kinsman's chest instead, but some modicum of either respect or restraint had her deciding to gesture his way instead. Either way, the beacon of Old Hearthfires and Headresses of Antlers was pointed to as an indicator. "Couldn't you tell?"

From there, she jammed her hands into her coat pockets and wandered further toward the tye-dye bag of Glory and Honor. With a bit of a sniff, she turned her head to Erich and asked in perfectly innocent curiosity: "What was so honorable about the Chimera kill?"

Erich

It's that solemnity that wins Erich over, time and again. It's that solemnity, and that pale-eyed, wide-eyed wisdom of hers that makes Erich suddenly grin and reach over and hug her against his beefy side. The indignity of a brief noogie is administered, and then Erich just relaxes into that random loose-armed side-hug.

"I don't like raw fish. Maybe we can put some grilled fish on top of hamburger. Like sushi surf 'n turf, I bet that'd be good."

The new people announce themselves. Fianna: he snorts, letting go of Charlotte and turning to face them.

"Damn right I could tell. I could tell from the beer fumes wafting over this way. I meant like, names. I'm Erich. This's Charlotte. And the Chimera kill," is that what it's called? Erich isn't sure. Maybe Charlotte knows, but Erich: Erich's just going to play along and pretend he knows what that is for now, "is honorable 'cause we were out killing it while you two were pickling yourselves. OH, BURNNN." And he holds up a hand for Charlotte to high-five.

Matthew Murphy

Matt just shakes his head and turns around to find the stairs.

Charlotte

Charlotte has unzippered the Chimera-kill and within the bag is a twisted man with a scraggly gray beard whose face has gone strange and slack and sick, tongue too-white, thick and lolling. The suggestion of the twisted arm a slick and sickly green and she is looking down at him with what is both a mildly detached interest and a kind of mournful intensity. The prize was long-since cleansed, still.

There is a humid stink to it and Matt turns around and Charlotte assumes that that is: why.

"Sorry." THIS IS KIND OF MUMBLED and she reached to zip-it-back-up, real quick and then she's standing and Erich pulls her in for a side-hug and don't they look like brother and sister.

Sometimes she high-fives him absent-mindedly or intently or not the proper way at all. Tonight she glances at Erich's hand, then Matt's back. "That wasn't very nice Erich, I think you hurt his feelings."

Erich

Annnd he's left hanging! Deflated, Erich lets his hand flop back to his side. "Well, his friend started it," he protests -- just like the mature, grown-up, Fosternized Big Boy that he is. "She was all being psh! about our kill. Anyway, it's just friendly rivalry. Keeps things interesting. Don't worry, Blondie, I'm not gonna keep ragging on you now that your backup's upped and left you. Wouldn't be sportsmanlike."

Goldie Lennox

The comradery between the tall skinny moon-eyed Silver Fang and the beefy-flanked Shadow Lord was evident. Packmates, Goldie had to guess, but that was something just to be scrawled on a post-it note and tacked on the corkboard of This New Community for analysis later. More than that she was curious to see this gator-armed donkey-tailed person.

The grizzled-gray beard and lolling tongue upper body rolled out of the bag, and Goldie straightened up and stepped back, even went so far as to wrinkle her nose and make a kind of 'Hoo-ee' sound at the sight.

But there was Erich, then, insisting that he could smell the beer on them and didn't need their tribe because of it. Called his kill honorable because he was killing it instead of killing shots like they were supposedly doing. There is, momentarily, a snap in the air. It isn't like when the earth cracks and magma heat boils up from underneath, not like when an Ahroun feels a push of Rage, but it is still there and sharp and hot and electric. The second time such a response was provoked from the little Fianna by the Fenrir-turned-Lord.

"Woooowwww," she drawled out. Matt had turned to leave, and Goldie reached out to nab onto his coat sleeve-- near the cuff, like maybe she wanted his hand but missed. "Matthew Murphy, are you just going to walk and let this guy talk about us like that?"

The answer was probably going to be a yes, and maybe that would be communicated in a glance, or maybe not, but she looked back to Erich and scoffed a dramatic little scoff and put her free hand on her hip.

"Did you hear a 'pish'? I didn't hear a 'pish'. I heard a lot of fish, but no 'pish'. I mean, I was asking what made it Honorable and not just Glorious, but some lines got crossed and suddenly we were reduced to this." The hand that was on her hip gestured before them, as though she was indicating some sort of scene that had unfurled and made a mess of the place.

Charlotte

Charlotte goes all-alert at that snap of electricity, the spark of rage that does-not-precisely ignite beneath Goldie's skin but still: brights, turns over, draws her taut through the spine.

There is, a new wariness about her in that moment that feels more animal than human. The tension in her spine and shoulders. The way she stands so as to keep both Goldie and Erich in view.

Quieter now. A slow-flush of color pinking her aristrocratic cheeks.

She's right at Erich's side, still.

A bit of blood on her hands, but never-you-mind.

Matthew Murphy

He doesn't jerk his cuff out of her grip. That would be rude. When he does turn back around he's trying not to roll his eyes and he's got his tongue pushed into the back of an incisor like that's keeping him from saying something he's going to regret later.

Goldie doesn't need him to defend her. She can do a fine enough job on her own. So she steers him back to her side and Matt stands there looking back and forth between the two of them. Wary not the same way that Charlotte is wary but wary in the way that meatbags are wary.

Erich

There's a tension suddenly that Erich doesn't quite understand. He gives Charlotte a quizzical look. He gives Matthew a quizzical look. He looks down at the carcass, which stinks, and then he drops to a crouch to zip the bag back up.

"Okay, so... not sure why everyone's all edgy suddenly, but I'm gonna go dump the body somewhere where the Guardians have check it over and then get rid of it." And thus speaking, he heaves the load back onto his capable shoulders.

A tilt of his head Matthew-ward before he goes -- "Does he ever talk? And what's your name? I mean, you called him Matthew, but I'm gonna start assuming your name actually is Blondie unless I hear otherwise."

Goldie Lennox

The bright-electric burn of Rage didn't manifest in a sharpening of teeth or flex of muscles. Goldie's body language didn't even look that violent, really, but there was an undeniable prickly quality to her voice now. She was a bright little falling star of a human, petite and lean with a mass of sandy-blond hair that was piled up into a knot on top of her hair, bound tight and kind of frizzy in the weather. She shouldn't be facing off against an Ahroun, but who called this a face off? The way that Matt stood reluctantly stationed at her side and how Charlotte took up a quiet space at Erich's made it seem that way.

And Erich? Well, he just seemed confused.

Goldie blinked at him a few times, and answered his questions in a casual off-hand sort of way that didn't quite match the situation that they were standing in. "Oh, Blondie isn't too far off, really. It's Goldie."

She blinked and looked at Charlotte for a second. Goldie opened her mouth like she was going to say something-- she had somewhat bucked front teeth, that was noticeable in that moment. They worked with her face, didn't detract from the wide-eyed fae-like sort of pretty that she carried about her. Goldie looked like she belonged in the woods with flowers in her hair. Instead she wore mass-produced clothes and had pink lipstick on her lips.

Whatever it was she was going to ask Charlotte, she instead decided to direct at Erich. Sounding like she was breaking script to clarify something, she tipped her head forward and blinked at him instead.

"Do you really not understand how greeting us with alcoholism jokes was a shitty thing to do?"

Charlotte

Okay.

Okay.

See, just like that Charlotte's wariness melts - not away, but sinks somehow back beneath her skin, wraps itself around the base of her spine, goes back to whereever it lives when she has forgotten to be self-conscious.

Which is: rarely.

The unguarded immediacy of that initial encounter is long-since gone and in its wake she is: you know. Strange and awkward, the fringe of her hair dyed pink, her blood shining and singing and whispering promises in a way that she never, ever does.

"We asked who you were," a little one-armed shrug, Charlotte's voice is quite nearly a whisper. "And you didn't say. It might not've been a nice joke but what you did wasn't nice, either.

"Do you want to start again?" Charlotte gives Erich a Look. It is: mildly sidelong. She seems again really rather solemn. "We could do formal introductions."

Matthew Murphy

Once that initial not-wanting to turn back around has passed Matt brings himself to look at the two Garou standing down the hallway and neither of them can see fear or timidity in him. A lack of patience maybe but that's different than fear.

Kinfolk are supposed to be patient. They are supposed to stand in the face of Rage and not quail. He has his hands in the pockets of his overcoat and he's watching Erich as he speaks. Still watching Erich as Goldie asks a question that sounds odd for its sincerity. He glances over at her like he isn't sure he's hearing her right.

And then the waif-girl offers up something like a truce. Maybe this is when it starts to become apparent that he's silent because he doesn't want to answer for the Garou girl at his side.

Erich

Instantly bewildered-indignant: "What! Since when was it not okay to reference the well-known drinking habits of the Fianna? Since when did the Fianna get all hypersensitive instead of giving as good as -- "

and this is when Charlotte comes in: quiet, level, and dare we say it: wise. Erich, also wisely showing some restraint for once, closes his mouth. He is given a look. He heaves a sigh, but then he tosses that burden higher up on the slope of his shoulder and faces the duo again.

"Okay. I guess we can start again. I'm Erich, called Storm's Teeth, also called Son of Rage, and it's actually a longer name than that 'cause a Silver Fang Philodox gave it to me. I'm a Shadow Lord." His eyes are momentarily ferocious: just daring them to say something about that. About the Shadow Lord thing, about the Silver Fang naming thing, all that. "I'm an Ahroun, and a Fostern."

Goldie Lennox

Charlotte was a soft-spoken thing. Goldie may very well one day come to the conclusion that she spoke so quietly because her ears were busy hearing the spirits half the time anyways. Looking at her, the slight frame and how all of the color was wrung from her through so many years of selective breeding, she may also wonder if all of those voices actually were spirits and not made up.

Just like how one day Goldie may wonder what Erich was doing with the Shadow Lords, of all tribes. She might chalk that up to a misplaced 'fuck you' to mom and dad. She might actually ask one day, who knew?

Both of them Goldie looked at as though they were the daily sudoku puzzle in her paper. Like she was trying to figure them out but still needed to do some foot work before she could have all the boxes filled in. Erich was defensive, as though it was standard practice to give Fianna guff about pickling their livers, and Charlotte was trying to make peace. Matt? He was letting her do the talking-- the poor fucker.

"Hmmph," she said at first, and crossed her arms over her chest thoughtfully. "Right. Well. I've just got the one name-- Little Uproar. Fianna Ragabash Cliath. I was just trying to show my friend here how nice this place is. You see, we had kind of a negative experience going to try and shake hands out at Roxborough, but...." She unfolded her arms in a 'what do you do?' kind of a gesture, then sighed and looked back up to Matt.

"Sushi did sound pretty good. There's an all-you-can-eat place that I saw like six blocks over?"

Matthew Murphy

The Ahroun's eyes go vicious for a moment and Matt doesn't mean to pull a face but he does. Like oh sure that's fair.

He goes on to frown when Goldie says they had a negative experience out at Roxborough. Lips purse like he's going to ask her what she's talking about but he schools his expression a second later because she's talking about sushi.

"You don't wanna wait for the rest of the formal introductions?" he asks. Tilts his eyes towards Charlotte. He can recognize Garou but not their heritage. He has no idea what he's getting himself into. "She only gave us her first name."

Would you look at that. He does have a voice.

"I'm Matt," he says like to ante up. His voice is deep even if it sounds disused like he spends most of his days listening instead of talking. "Murphy. My old man was Nolan Murphy, he was an Athro Theurge died in North Carolina about twelve years back. Nice to meet you."

Charlotte

"Nice to meet you too, Matt.

"I'm Eulalia Charlotte Horatia Evadne Jefferson-Gray, daughter of Guillaume Cédric Félix Ementier Gray, called the Spine of the Moon, called Starfall, called Silvertongue, called the Undying, son of [.... there's more here. there's so much more, but eventually she gets back around to:] called Black Sheep. Cliath Theurge. We're packmates. Our other packmate's up in Evergreen right now. At our house.

"This isn't," a blink in Goldie's direction, then back toward Matt as she's considering what to say next. "This isn't really a nice place. The Sept's here to guard the pit in the basement. It's not like Forgotten Questions. There the earth - "

Charlotte trails off, reverent and a bit strange and embarrassed and lots of things.

"You shouldn't eat all you can eat sushi. They just get cheap fish and dye it pink. Try Sushi Sushi. It's not all you can eat but they don't make you spend too much for a roll and they're really good. We gotta go take care of this dead guy. Bye."

And, turning back to Erich, the ghostly flash of her ghostly smile. "I want all of his fingerbones. Just the first joints. And the teeth are really good for lots of things. Especially from the alligator-arm. I wonder how long the roots are - "

Trailing off as they, you know, wander away with their corpse.

Erich

"Well," softening -- a little -- Erich shrugs Le Corpse a little higher again and looks about. "This place is pretty nice," that, right as Charlotte is calling it not-nice. Erich grumps at Charlotte for a moment, then presses on doggedly: "You been up to the roof yet, Uproar? Great view. Go before it gets cold.

"Anyway. Yeah. We gotta go dump a bod." He swings away. Gets a couple steps; turns back.

"Heh. Is your name seriously Goldie? Man, what are the chances. Blondie, Goldie, Goldilocks." And on that note -- with a click of his tongue against his teeth which evidently constitutes some form of goodbye -- Erich turns away for the last time and goes tromping off to dispose of the body.

[bedtime for us east coasters! cuz i'm a temporary east coaster!]

Matthew Murphy

[NO SLEEP TILL BROOKLYN]

Charlotte

(goodnight darlings! thank you for RP!)

Friday, September 12, 2014

pineapply stuff.

a stabbing pain

[Ground Rules:

1. Keep track of your own health and tempers.

2. There is no post order, but please post once for each post I make unless I specify otherwise. Do your best to post in 10 minutes or less.

3. Declares and rolls in 2 minutes or less. If you miss it, you will be skipped, and it will be considered an auto-fail IC.

4. You are free to multi-task, as long as you can keep within the above deadlines. If you repeatedly miss it, I may ask you to leave one of your scenes out of respect for myself and the other players.

5. There is a moderate to For Real chance of character death/maiming in this scene. If you're uncomfortable with that and want to hightail it out of here, I won't take it personally.

6. Please PM me now if you have any phobias, triggers, or off-limits themes that you either a) do not want to deal with at all in your RP or b) need advance warning of. If none, no need to tell me 'none'.

7. Please PM me now with any merits, flaws, or traits that I should be aware of (nightmares, phobia, moon-bound, et al). Again, no need to tell me 'none'.

8. Setup post forthcoming!]

Erich Reinhardt

[BELLY BUTTON THINGS = NOPE.]

a stabbing pain

[P.S.

9. If you have a question, post it in the AIM chat. If you don't get an answer in a couple of minutes, please PM me here once.

10. If you think I forgot something, or you did on an earlier roll, say something. Ask if I remembered your +1 to whatever. If a roll was messed up, I can't promise we'll pause to work it out, but I'll try and compensate for it going forward.]

a stabbing pain

It's cold in Civic Center Park tonight. It's a sharp snap from the 75-and-above the city has been enjoying along with their rediscovered Pumpkin Spice Lattes; there was snow in the foothills this morning. Tomorrow it will be warm again, dry again, and shockingly so, but this evening there's a cold, wet bite in the air. And in Civic Center Park, there are people on benches and against trees who are not only trying to stay hidden because trying to survive while homeless is criminal activity, but they are also trying to sleep despite the looming fear of winter. Tomorrow it will be warm, but tonight feels like a warning: every week from now on is going to get harder. Colder. The nights are getting longer, and so are the lines at the few shelters that -- for some reason -- keep getting shut down or driven away. Prime real estate, you know. If it weren't for the homeless.

There's been a group out here lately, though. Sort of an unofficial soup line. They pop up close to dusk with a folding table and hand out meals: sandwiches, mostly, with a can of some greenish-yellow citrus-pineapple energy drink. They aren't authorized, apparently, because they pop up and then disperse as fast as they can, moving to other locations around town where the homeless of Denver mill about. So far the police aren't really doing anything about it: as many of them that enjoy exerting power over the powerless, there are at least a few who really hate enforcing the camping ban or chasing off people who are just trying to feed some hungry souls. No one has considered that the unofficial, unathorized nature of the pop-up bread lines means that the food might not be good.

Almost no one.

It was some Cliath, some fresh-cut Guardian of Cold Crescent, who kept bothering the Warder about it. She did the Sorkin walk-and-talk with him all around the sept offices one day, saying that she'd been noticing on her patrols fewer homeless people sleeping in the parks and streets.

Fewer homeless people?

No. They're just not sleeping.

And her buddy Freddie, he doesn't have a place to live and he hates shelters because he says people steal his stuff, he really likes those drinks, the pineapply ones. The cans are real big, and they're always nice and cold and fizzy. Kinda sour but give you a great sugar rush. Lots of caffeine. Lets you stay awake longer than coffee, so it's not so hard. Lots of people he knows really like those drinks. And they always have 'em. Even when they run out of sandwiches, people have started staying in line for those drinks.

So? Caffeine's addictive.

Freddie said that Jeannie, who's always at the bus stop? He said she never cries anymore, and she used to just read old newspapers and rock on a bench and cry all the time. But he said she's not sleeping anymore at all. She doesn't cry or read the papers. Still rocks back and forth though. But never sleeps.

Do you have ANYTHING else to go on?

No, but... I have a really weird feeling about this.

And that's enough. They're all half spirit. Not just the Theurges. They all feel some pull, some awareness that tells them that water is bad, that meat is rotting, that den is haunted. So the Warder sent Kenzie out to investigate further, starting in City Park. He didn't spread the word. Some insomniac homeless people doesn't even sound supernatural, but Kenzie grew up in Cherry Hills Village. Kenzie hasn't learned yet how awful the world can be, how depression and anxiety and hunger and hopelessness can steal your sleep. How misery, for many, is simply the norm. It doesn't take the influence of the Wyrm for things to be bad.

But it helps.

--

It's after dark now. Well after. Downtown, the police are mostly milling around lower downtown -- the Lodo Letout, one of the most miserable times and places to be anyone but one of the people stumbling out of a closing bar or club. In Civic Center Park, it is relatively quiet. The moon shines. The capitol gleams. The flowers are still in bloom, because the chill has not destroyed them in a single day.

In the broad stone ampitheater with its columns and stepped sides, four of Denver's homeless stand gathered around something. There are no lights bright enough to illuminate it, and they are all standing, staring down, muttering to each other. One of them is a short, older woman with long grey hair and a ski cap with a puff on top. She is crying, rocking back and forth where she stands.

Matthew Murphy

It doesn't get this cold this fast back in North Carolina but he's not the only person wearing a ski cap and a winter-grade jacket outside tonight. Doesn't matter if it's going to be dry and sunny and beautiful tomorrow. Right now it feels like the ones going on about the Wyrm winning aren't that far off.

He is cutting through Civic Center Park well after dark in part because he's a fucking idiot and in part because he has to get from the bar on 12th Avenue where his shift just ended to the bus station on the other side of the park. It seemed like a good idea at the time he set out.

And then he passes the amphitheater. Wouldn't pay any mind to the small crowd normally but he hears someone weeping.

Shit. He slows down but doesn't call out just yet. It's probably none of his business.

Erich Reinhardt

Well, when the Sept gets concerned a call goes out. Most of these assignments -- almost all of them, really -- are strictly volunteer. Tonight, Erich volunteers.

Tonight, Erich -- wearing his sherpa hoodie, fists stuffed into his pockets and shoulders slouched -- does his best homeless-bum shuffle as he cozies up to that little clot of people. Who knows what they're gathered around. Maybe a vat of that pineapply stuff. Erich intends to find out, though.

a stabbing pain

Denver's a weird place. There are people here who wear hoodies and flip-flops all winter. There are people who bust out the parkas in late August when it's not 90 anymore. But if you sleep outside as a matter of course, you wear what you have most of the year round.

Matthew isn't an idiot. Or maybe he is. We're not his dad. But people cut through Civic Center Park at all hours. Safer for men, but not strictly safe, period, even with a buddy. You never know, do you? The broad open expanse of the ampitheather is often enough to dissuade some kind of assault, but it's a decent walk from here to a more populated area. You can hear people on the 16th street mall still. But they can't hear you.

No one else is walking through tonight. So Matthew walks faster.

--

One more, then, ambling towards those people. Sees the shadows they cast. Sees --

a stabbing pain

[Gonna let Kenna catch up and post in before going forward. Also: Perception + Primal Urge OR Perception + Alertness, whichever is higher!]

Matthew Murphy

[perception + PU!]

Dice: 5 d10 TN6 (7, 8, 9, 9, 10) ( success x 5 )

Erich Reinhardt

[per+pu!]

Dice: 5 d10 TN6 (1, 3, 6, 9, 10) ( success x 3 )

Goldie Lennox

[Perception + Primal Urge]

Dice: 4 d10 TN6 (1, 4, 4, 8) ( success x 1 )

Goldie Lennox

A part of adjusting to new surroundings is getting to know them. Studying them. Familiarizing. It was all a part of being a Ragabash. Goldie wasn't a brute, she didn't have the raw strength and rage and power that her Full Moon brethren had to contribute to battle. Goldie had to make use of these surroundings to her advantage, and so she got to know them.

This amphitheater seemed as good a place as any to get to know. She was a slinky stalky thing, she knew that Matthew's direct bus route existed through this area. If it was a place that he was going to be circulating around, she had a responsibility (ugh, that word still tasted awful in the back of her mouth) to make sure it was safe.

So that's why Goldie could be found strolling through the Civic Center Park. She was smoking what looked very much like a cigarette, so the red cherry marked her place in the evening gloom.

Oh, look at that. People. And one of them was a beacon of Stag-- this was evident even from halfway across the park. But then, she had also known Matthew long enough that she's more or less been sharing a house with him long before they even came out to Denver. She'd pulled in a lung full of air without smoke, to bellow to him, but paused when the foursome was spied in a group, circled around something. Something she wasn't so sure of. But it looked interesting, and one woman was in tears.

So, of course, Goldie jammed her hands in the pockets of the hoodie she was wearing, held her cigarette between her lips, and strolled on over like she's been living in Civic Center with the lot of them for the past three winters. Like it was her goddamn right to see what's up.

a stabbing pain

[Erich: The four homeless people are standing around a body. There's a pair of sneakers pointed that way. And that darkness on the ground isn't just shadow. He can smell blood. He can smell Silver Fang breeding on the blood.

He can smell Kenzie's blood.]

Erich Reinhardt

It's not a vat of pineapply stuff. That would be bad, but it's not that. It's worse.

It's blood. It's a body.

It's a Silver Fang.

It's Kenzie.

--

Erich has something like backup in that crowd. He has two of Stag's, neither of whom he's met yet, but their very blood made them his allies. A wiser wolf would rally them to his side, or he to theirs. Erich, however, despite his somewhat-recently-elevated rank, is still not terribly wise.

He's righteous, though. He's pure of heart. And right now, he is suddenly very upset.

"HEY." He starts shoving his way through the clotted gathering. Puts his hands on shoulders, sides, faces, whatever he needs to. "HEY, GET OUT OF THE WAY. WHAT THE HELL DID YOU DO?"

Erich Reinhardt

[retract and hold on post!]

a stabbing pain

It is rarely a good thing when more than one of Gaia's chosen end up in the same place at the same time without planning it. Especially when the moon is just coming down from fullness. Especially when there's blood on the air.

And make no mistake, little Ragabash: you haven't smelt it yet, but there is blood on the air.

--

The three of them, two Fianna and a Shadow Lord, two Garou and a Kin, come through the ampitheater in a triangle. It seems like fate that they should be here like this, walking towards the center, walking towards a strange center indeed. This park is not far from the shadow of the sept. It is not out of the way.

The crying woman, who is very fat and very white and the one with the puff-ball on her ski cap, gives a great shudder and turns around. She is holding her hands to her wobbling jaw, cold hands against inflamed skin. Her eyes see more than the others. She sees Matthew. She gives a yelp.

"Cop! Cop! He's gonna -- we dinn't! We dinn't nothin'!"

She rushes him. But she is heavy and unhealthy and her rush is a stomping sort of thing, back and forth. Erich and Goldie see it clearly now: she is covered in blood. It mats her hair and coats her clothes. There are sneakers on the ground behind her, attached to feet, to legs. She's heading straight for Matt.

The others stare. She is holding a can of that drink in her hand. So are they all.

Erich Reinhardt

It's not a vat of pineapply stuff.

It's blood.

It's Silver Fang blood.

It's Kenzie's blood.

--

HEY, Erich wants to shout. He wants to, and he opens his mouth and he fills his lungs, but what comes out is a roar. He hits the grounds on four paws. One of these days, one of these days he'll remember to pull on that armor Luna gave him, but that day will not be today.

Today, like every other day, Erich charges heedless and reckless and roaring. He knocks someone sprawling. He sends someone flying. He goes straight for that crying woman, that creature white and bloated as a corpse, and as he nears his forepaws lift, his hindpaws shove off the ground -- he launches into the air, all bulk and muscle and fur and teeth.

Matthew Murphy

It doesn't take him long at all to figure out what happened. As much as he uses his eyes his gut tells him this is a murder scene he's just stumbled on and his gut is telling him he needs to not go over there. He can retreat to a safe distance and call the cops or call Goldie and tell her to get someone with claws and training in spirit cleansing down here.

The horror of the scene stops him though. He ought to just turn around right that second but he hesitates. Hesitation gives the crying woman enough time to notice him.

There isn't much to him. Even with the heavy jacket and the steel-toed boots he's wearing he is built like a beanpole. About all he's good for is turning and bolting. That doesn't mean he's not a cop though. Plenty of people who weigh less than some elementary school kids make decent cops.

"Whoa!" he says and takes his hands out of his pockets. Shows her his palms even as he starts to back up. "Whoa whoa whoa lady I'm not a cop, would you--"

And then there's a roar. That roar startles him and he looks over to see where the fuck it's coming from. By the time he looks over a huge black-furred monster is charging straight at the woman charging straight at him.

Great.

Goldie Lennox

Goldie Lennox was easily overlooked. Her Rage did not make a buffer against the world around her. She wasn't drop-dead gorgeous. She wasn't noticeably tall or incredibly short or very ugly or anything else that would really set her apart. She was petite and lean and, tonight, covered up by sneakers and jeans and a loose (but not oversized, not baggy) brown hoodie with 'GAP' across the front in dayglow green letters. She had the hood up, so her hair wasn't noticed. Really all that stood out was the glow of her cigarette and how it reflected off big, wide, watchful brown eyes.

She'd seen sneakers on the ground initially. It took the woman's turning about, startled by the approach of three others around her, for Golide to recognize that those shoes were filled by a dead bloody body. When the woman turned, the ambient city light made apparent the red blood on her as well.

A drink in her hand-- but Goldie knew nothing about that, she wasn't patroling the Sept or listening around the watering hole just yet-- and panic and fight-or-flight existed on the overweight homeless lady like stink on... well, an overweight homless lady, one supposes as well. Goldie watched all of this, and her eyes widened when the woman picked Matt over the three of them, accused him of being a cop, and charged.

Muscles tensed, but before she could figure out how to react exactly a great deep roar, bassy and rattling in her bone marrow, ripped through the air, and so did a big black beast of a Werewolf soon after.

"Well," Goldie commented, "that escalated quickly...."

The big terrifying black beast was far more full of War and further ahead of her, closer to blocking the woman from Matt than she would be. So she instead flicked her eyes to the other three to see what they would do. All the while, she swelled and grew up to Glabro, and thankfully her clothes knew how to grow along with her.

a stabbing pain

Four homeless people getting through a cold night would be no match for a Garou -- even a young Cliath who grew up in the richest neighborhood in the state. And yet the young woman is on the ground, and she is bloody, and she looks very much dead. Her head is to one side, eyes staring, body motionless, limbs at odd angles, covered in huge injuries.

Erich sees a murder scene.

Matthew sees a murder scene.

Goldie sees a kinsman of her tribe on the verge of getting assaulted.

--

In an eyeblink, the Shadow Lord is in hispo, launching across what little distance remains between he and the group. And he hits that woman well before she gets to Matt, easily: he slams her to the brick and concrete ground, in a form whose density and weight far exceeds hers. Perhaps he rips her to pieces. But if he doesn't:

She is crying again. She never really stopped. Her energy drink goes rolling away, splattering yellow-green fluid.

The other three stare. They sip their drinks.

"You cops?" the tall black man says. "You cops, you gotta tell us."

Goldie Lennox

Erich knocked over the woman well before she had a chance to reach Matt. She didn't offer much resistance, as it turned out she wasn't going to burst through that doughy white skin as something else entirely and start trying to tear them all apart. Not yet, anyways.

Goldie smirked a satisfied little smirk that her plan to stand still and let someone else handle the work had gone so well. She puffed the cigarette one more time and switched her gaze to meet the eyes of the tall black man who'd spoken up. Who'd asked if they were cops. She raised her eyebrows at him, widened her eyes a little as well, then went "Huh," and took a few steps toward him. Not threateningly, even if she was now taller than average for a woman, broad, with strength built under that hoodie in her chest and arms and shoulders, even though her thighs pressed heavy steely muscle against denim with each step she took.

"No we don't, that's a fucking myth. Cops aren't required to tell you shit-- if that was the case, then 'undercover' wouldn't even be a thing anymore."

She exhaled smoke up into the air, then leaned down and picked up a foot so she could scrape the cigarette out on the bottom of her shoe. As she did this, she jerked her head toward Erich.

"What, that didn't make you shit your britches? You feeling alright?"

Erich Reinhardt

Well, that huge hispo-beast, who is by the way not jet-black, not even close, but rather a timberwolf-grey dappled with black and white and shades of brown: he doesn't rip her to pieces. YET. He slams the woman down, he snarls in her face, he snaps his teeth and saliva flies in ropes. He wheels around. Three onlookers: sipping their drinks. Totally fucking blase.

So he wheels, one paw still on Miz BMI-40. He roars at them, too. And yes: for once, for once!, Erich begins to glow, to shine, to burn

with Luna's armor.

[WELL IF YOU'RE GONNA GIMME TIME TO ACTIVATE GIFTS, I'MA ROLL IT :D]

Dice: 10 d10 TN6 (1, 1, 2, 3, 3, 4, 5, 6, 8, 10) ( success x 3 )

Matthew Murphy

The kinsman is still holding up his hands when the dire wolf tackles the crying woman. Temperature and humidity being what it is his breaths are visible as they steam out of his mouth.

He isn't about to keel over from fear-induced heart palpitations but he isn't a battle-hardened badass either. When Goldie speaks he scowls and looks over at her.

"Oh, yeah, now's a real good time for a criminal code lesson, Lennox, thank you."

So the two Fianna know each other. That's good information to have. He starts again when the dire wolf roars and frowns when he starts to glow.

Now that he's not in danger of getting torn to shreds he starts to consider whether tiptoeing on out of here and letting the werewolves handle it would be a good idea. He doesn't. He creeps around the unknown wolf and starts to approach the amphitheater palms still out to show the people inside he's not armed.

For all he knows they're Fomori and they're about to tear his fucking face off. That doesn't mean he can't try.

"We're not cops. Alright? But you look like you need some help."

a stabbing pain

The group mulls what Goldie says over. One of them mutters that this is just what a cop would say. He has blood across his mouth and throat. Where he scratches his distended belly, he leaves flecks of drying blood from under cracked fingernails.

The woman with ragged teeth keeps shuddering. She keeps wincing, looking down against the light, holding her can with both hands to slurp from it. Smacks her lips.

Now there is a glowing direwolf in their midst, standing atop a buddy of theirs, and she cries the same way she always does over the newspaper. Why should that shock them? Why should the woman with the golden unibrow and the broad shoulders seem odd to them? The tall man cracks his back, wincing, arching as he tries and fails to roll his shoulders back; hurts too much.

"NAH," yells the woman with the gapped teeth. "WE FINE." Despite her obvious headache, she shouts everything. "WE FINE." She lifts her can to take another sip, but finds it empty. Her shuddering starts again. She reaches for the can held by the man with the backache. "GIMME THAT."

"Getcher own," he snaps at her, so sharp it may as well be a slap. She flails at the can. Then he does truly slap her, backhands her across the face,

roars at her. Spit flies from his mouth, green-tinged. She bares those huge teeth at him, her eyes open, her pupils down to pinpoints. Her eyes have no irises. She lunges at him, at the can he's holding. Her hat flies off. The back of her skull is too... too wide. Like it's

splitting open.

Goldie Lennox

"Anytime, Matty, you're welcome." 'Lennox', as she had been called, flashed a wicked grin over to the Kinfolk who was moving around the roaring-glowing-gray-not-black Hispo. In her Glabro form her teeth seemed sharper, her canines filled her mouth more heavily than the rest of her teeth, so that wicked grin looked particularly so.

So the pair of unfamiliar Fianna knew each other. Perhaps they were siblings? No, couldn't be-- Matthew Murphy was a relic of royalty among them, his breeding was strong enough to worry about drawing in the wrong sort of attention from a mile's radius. Goldie Lennox had no breeding to speak of. It was impossible to guess her tribe just by looking and smelling. Plus they didn't really look all that much alike anyways-- Matt's features were more narrow, while Goldie's were wide and round.

Matt had approached to let them know that they're not cops, to ask about the kind of help that they might need. The trio that weren't pinned under the glowing wolf monster just mulled about. Goldie noted the blood in places on them-- in particular, she noticed the pushed out stomach on the man when he scratched. Wondered if that had anything to do with the body on the ground.

As she contemplated, a man and woman amongst the three began to fight. The woman was shouting (Goldie's brow creased some in reaction) for a can of drink (they all had them, didn't they?), and the man physically slapped her to keep her away when she grabbed for it.

Then the roaring. Then the massive teeth. A hat flies off and a woman's skull is actively splitting open.

Goldie blinked once, twice, then pushed her hoodie back and said loudly to Matthew: "This is your cue." To get back, of course. But he knew that already. Goldie instead focused on pushing herself one step further in her transformation-- from Glabro up to Crinos.

Matthew Murphy

He's old enough and descended from a long enough line of purebred pillars of the Nation that he knows his place is not in battle. Plenty of Kin do find their place there but that is not his place.

Without a gun or a knife or even a sharp stick nearby about all he can do is stay back and out of harm's way. Maybe phone in a couple of favors after this is all over. The two of them can pass into the Umbra and escape the scene of the bloodshed without notice. The best thing he can do is not get any blood on him. Look sufficiently freaked out by the time the cops roll up.

This is his cue.

"Uh huh," he says. He sounds freaked out but that's the adrenaline's fault. If he ends up having to run he's going to need the adrenaline and his arms down at his sides. No point holding his palms up anymore.

He takes several big steps back to put the dire wolf back between him and the crowd.

Erich Reinhardt

Yeah no. They not fine. They most certainly, absolutely, incontrovertibly not fine.

Erich has seen enough. Really, were he a wiser wolf, he'd just step back and let those crazies rip each other up over a few cans of crazy juice. He's not a wiser wolf, though. He's just an Erich. And Erichs, faced with this sort of wrongness, this sort of absolute abomination-ness, know only one recourse.

He bares his teeth. He lunges. He tears into whoever the hell, whatever the hell, what the hell is that anyway, that's closest. Time to fight.

a stabbing pain

From the woman's skull there are several things worming their way out. Thick, heavy things. Tentacle things, yellow-gray ones, dripping a gelatinous slime that stretches from one side of the splitting skull to the other. The man she's facing, the man with the aching back, is reaching behind himself as he roars at her, grabbing something under his coat, like he's picking a wedgie.

He is not. He is jerking something out from his lower back, grunting, arching so hard his heels leave the ground, grabbing.

Blood and some strange strange, clear fluid splashes out from under his coat to the concrete. That's a whole other smell. Not one they're familiar with. His hand leaves the hem of his coat and begins pulling something out. It's long, and ridged, and made of link after link of hard bone. Flesh clings to it in places. He is pulling his spine out. He is ripping his own spine out. And his torso flops forward but somehow, impossibly -- inhumanly -- he can still move. He lurches, like a gorilla made of empty burlap, and moves his spine like a heavy whip across the ground. He charges his enemy, who has six or seven vomit-colored tentacles protruding from her skull. Each of them, where they might have sucking cups if they were natural, have rows upon rows of tiny barbs.

The man with the belly just belches, staring absently. He nudges the body on the ground with his toe.

Jeannie, the woman pinned by Erich, just sobs and wails and tries, vainly, to reach her rolled-away can of energy drink. It's past her fingertips and she can't get up. She keeps grunting: "Geroff. GerOFF," but he won't, of course. She howls, shrieking, as her jaw

unhinges.

My, what big teeth you have, grandmother.

Razor-sharp teeth, each several inches long, open up from behind her normal human-looking ones. She looks more and more like a piranha, with her bulging eyes, her enormous mouth that could, in a second more, engulf most of Erich's head.

a stabbing pain

[Jacqui: I would catch up or get the gist from another player and then post in ASAP, because after another (brief! and i mean brief!) round of IC posts, we are going to inits!]

Erich Reinhardt

WELL THAT WAS UNEXPECTED.

Suddenly caught, suddenly swallowed-headed, Erich backpedals -- claws digging long gouges into asphalt, concrete, flesh, whatever -- and thrashes and bucks and kicks and finally, finally

just decides to open his jaws the best he can while inside someone's fucking face. He bites whatever the fuck he can reach. Because beggars can't be choosers. And swallowed Erich-wolves can't be picky.

Goldie Lennox

"Ho-lee fuckkk...."

Suddenly this amphitheater was full of monsters. Monsters with unhinging jaws. With big teeth and tentacles flailing out of their skulls. With their upper half flopping useless because the core piece, the spine, was now serving as a fucking whip and dragging across the ground.

With a big gray wolf monster that glowed like the moon's brightest light.

With a big girl with too much muscle whose face was pushing out into a muzzle, whose clothes were quickly replaced by a pelt of fur. Goldie was horrified by what she saw-- she was a Cliath, she had seen some fights, but she certainly hadn't seen any of this before. Her expression was one of mingled disgust and horror before her eyebrows vanished and a muzzle began to grow-- any ability to make human expression was dashed then.

Soon enough she was a Crinos, a lean-bodied and long-limbed thing with gold-red-brown fur and a pale underbelly, with a particularly dark muzzle and hand-and-feet-paws. With a short snout but plenty of teeth to fill it, and that's what mattered, wasn't it?

Matthew was backing up, and Erich was digging into the woman he already had pinned down. Goldie, in the meantime, stood stiff and still with a snarl and watched and waited. Let the two that were fighting each other continue to fight each other. Let them tear each other apart so she'd have one less enemy to have to kill herself.

Let them fight.

Firebrand

(Ahem. Sorry all. My wifi is having mood swings. I'ma observe ya'll being awesome til it gets a hold of itself.)

Matthew Murphy

Whatever quality he carries with him day to day that lets him stand in the presence of full moons furious enough to send most people across the street doesn't do him much good when it comes to watching a grown man start to pull something out of his back.

To his credit Matthew doesn't vomit. He does stop his backpedaling though. If he's seen anything more awful than that in his entire life it's been long enough ago that his brain can't quite compute what it is he's seeing. Other people's spines getting ripped out is one thing.

He doesn't even have a quip or the breath to take some god or bodily function's name in vain.

The crunching sound from the dire wolf biting something inside the woman's hell-huge mouth startles him out of his catatonia. And then he registers the whipping tentacles. He takes another step away.

a stabbing pain

[INITS]

Erich Reinhardt

[an obscene +19]

Dice: 1 d10 TN6 (3) ( fail )

Goldie Lennox

[Inits! Dex 4 + Wits 4 + ?]

Dice: 1 d10 TN6 (3) ( fail )

Matthew Murphy

[a mighty +5!]

Dice: 1 d10 TN6 (6) ( success x 1 )

a stabbing pain

[all the baddies are Init + 5]

a stabbing pain

[Sciatica +5]

Dice: 1 d10 TN6 (10) ( success x 1 )

a stabbing pain

[Headache +5]

Dice: 1 d10 TN6 (1) ( fail )

a stabbing pain

[Toothache +5]

Dice: 1 d10 TN6 (7) ( success x 1 )

a stabbing pain

[Bellyache +5]

Dice: 1 d10 TN6 (2) ( fail )

a stabbing pain

[Round One

Erich

Sciatica

Toothache

Goldie

Matthew

Bellyache

Headache]

a stabbing pain

[Headache

1a. Grab Sciatica with one of her tentacles

1b. Throw him around a little]

a stabbing pain

[Bellyache

Still convinced Matt is a cop.

1. Moves towards Matt, scratching his belly furiously and drinking whatever that goop is. Real pineapple flavor!]

Matthew Murphy

Fuck that.

action: run!

Goldie Lennox

[Well that guy's probably a monster and he's going after Matt and Ma's going to be REAL mad at me if he dies, so....Action: Claw Bellyacher!]

a stabbing pain

[Toothache

1. Crunch down on Erich's muzzle.]

a stabbing pain

[Sciatica

1a. Does not care about the Garou yet. Spinal whip at Headache!

1b. Again!]

Erich Reinhardt

[2R - also 1WP to resist pain.

1a. dig claws into whatever!

b. BITE WHATEVER!

R1. MOAR BITING.

R2. MOAR CLAWING.]

Erich Reinhardt

[attack!]

Dice: 8 d10 TN6 (1, 1, 1, 1, 2, 4, 5, 5, 10, 10) ( success x 2 ) Re-rolls: 2

Erich Reinhardt

[BULLSHIT]

Dice: 9 d10 TN6 (1, 2, 4, 5, 5, 7, 8, 9, 10) ( success x 4 )

a stabbing pain

[Toothache

Soak!]

Dice: 6 d10 TN6 (2, 2, 2, 4, 4, 6) ( success x 1 )

Erich Reinhardt

[come on, stop being pathetic!]

Dice: 7 d10 TN5 (3, 4, 5, 6, 6, 7, 9, 10, 10) ( success x 7 ) Re-rolls: 2

Erich Reinhardt

[:D]

Dice: 15 d10 TN6 (1, 1, 3, 3, 4, 5, 6, 7, 7, 8, 8, 9, 10, 10, 10) ( success x 9 )

Erich Reinhardt

[I'M IN YOUR MOUF SHARDING YOUR PURPLZ +1dam]

Dice: 1 d10 TN6 (4) ( fail )

a stabbing pain

[um. soak?]

Dice: 6 d10 TN6 (2, 4, 4, 5, 6, 8) ( success x 2 )

a stabbing pain

Toothache: x_x

a stabbing pain

[Sciatica

1a. Spinal whip!]

Dice: 8 d10 TN6 (1, 2, 5, 6, 6, 8, 8, 9) ( success x 5 )

a stabbing pain

[Damage]

Dice: 8 d10 TN6 (1, 1, 1, 3, 4, 6, 7, 10) ( success x 3 )

a stabbing pain

[Headache

Soak!]

Dice: 5 d10 TN6 (1, 4, 5, 6, 10) ( success x 2 )

a stabbing pain

[Sciatica

1b. Again!]

Dice: 7 d10 TN6 (1, 1, 3, 3, 4, 7, 7) ( success x 2 )

a stabbing pain

[Damage]

Dice: 5 d10 TN6 (1, 5, 5, 8, 9) ( success x 2 )

a stabbing pain

[Headache

Soak!]

Dice: 5 d10 TN6 (4, 5, 9, 9, 10) ( success x 3 )

a stabbing pain

Erich is the quickest to react, but then, he almost has no choice. He was the first one to flip out into a form other than human, lunging at something because there's a guardian dead on the ground. Then his head ended up inside the mouth of a human angler fish, and he dug his claws into her body as deep as he could through all the fat he encountered. Fluid -- not just blood, but something yellowish, greenish, clear, tinged murky with blood -- rushed out of her over his paws, but his weaponry found purchase and she howled.

He was inside her mouth, half-blind, smelling something like citrus and something like bile, when he bit at her blindly. First his teeth sank into her engorged tongue. Then he pulled his head up, pulled her tongue with it, but her tongue didn't detach from inside her mouth. Erich was thrashing too quickly,

tearing her head somewhat in half. Tearing her head inside-out, almost.

Charming.

--

To the side, near Kenzie's motionless form, the spineless man rushes at the tentacle'd woman, roaring at her, thrashing at her with it. Whips once and bone-barbs on his spine grab at her shoulder and yank. A second whip of his own body part does nothing, glancing off her blood-stiffed clothing. She just shrieks at him.

Matthew Murphy

IT'S GOLDIE TIME

claw!

Dice: 5 d10 TN6 (1, 4, 4, 9, 10) ( success x 2 )

Matthew Murphy

damage: MATH!

Dice: 8 d10 TN6 (2, 2, 2, 3, 6, 7, 7, 10) ( success x 4 )

a stabbing pain

[Bellyache

Soak!]

Dice: 4 d10 TN6 (1, 3, 3, 8) ( success x 1 )

a stabbing pain

[Matt runs see Matt you're clearly not an idiot we all believe in you.]

a stabbing pain

Shambling, grunting, the man with the rounded, pregnancy-style belly sticking out from under his shirt -- which features Frankenfruity -- runs after Matt. Jogs. Bounces. Looks like he's going to throw up, actually. He stops halfway because some of his energy drink has sloshed out of the can, so he pauses to slurp it up before running after Matt again.

Then there's a mass of fur, a wall of terror, and it slashes claws the size of his whole hand across his body.

Four clean gashes across that rotund belly. Bleeding, bleeding gashes. Deep red blood, black even in moonlight, seeping out of him,

taking form,

a darker version of the tentacles on the other woman's skull. He groans, touching his own belly, the flows of blood taking shape under his hands, worming around his fingers, reaching outward. He sobs: "Oh my fuckin' god. Oh god. Oh my fuckin' god. Oh god,"

and, shaking in panic, upends as much of the rest of that drink as he can. To calm the nerves, see.

a stabbing pain

[Headache

1a. Grab!]

Dice: 5 d10 TN6 (1, 2, 3, 7, 8) ( success x 2 )

a stabbing pain

[Headache

1b. Throw!]

Dice: 4 d10 TN6 (3, 3, 7, 9) ( success x 2 )

a stabbing pain

[Damage]

Dice: 7 d10 TN6 (1, 2, 4, 4, 5, 8, 8) ( success x 2 )

a stabbing pain

[Sciatica

Soak!]

Dice: 7 d10 TN6 (4, 5, 5, 5, 7, 8, 10) ( success x 3 )

a stabbing pain

Over to the side, the tentacled woman lashes out with one of them to grab her former friend around the neck. Barbs sink into his skin, but not deeply. She shakes him in the air, lifting him, but he's shockingly heavy, and then she throws him aside. He doesn't go too far, smashing to the ground, but it has little effect on a man whose bones are not like a human's: he shambles to his feet again, bent at the middle, hissing.

He has, after all, dropped his drink now. Not his spine, though. He charges her again. She is scrambling to grab the can of spinning, spilling EnerJam.

a stabbing pain

[End of Round Two:

Erich: Fine

Sciatica: Fine

Toothache: X_X (3A overkill)

Goldie: Fine

Matt: RUNNINNNNN'

Bellyache: 3A (thanks Goldie thanks a lot)

Headache: Slightly hurt]

a stabbing pain

[RAGE ROUND ONE GO ERICH]

Erich Reinhardt

r1 bite!

Dice: 10 d10 TN5 (1, 1, 3, 3, 4, 4, 5, 5, 7, 9, 10) ( success x 5 ) Re-rolls: 1

Erich Reinhardt

[REALLY, DICE?]

Dice: 13 d10 TN6 (1, 1, 3, 3, 6, 6, 7, 7, 7, 7, 9, 9, 10) ( success x 9 )

a stabbing pain

[Headache

Soak!]

Dice: 5 d10 TN6 (1, 2, 3, 3, 7) ( success x 1 )

Erich Reinhardt

[claw same target! or sciatica if dead.]

Dice: 10 d10 TN6 (2, 2, 3, 4, 4, 5, 6, 8, 8, 9, 10) ( success x 5 ) Re-rolls: 1

Erich Reinhardt

[dam]

Dice: 12 d10 TN6 (1, 3, 5, 5, 8, 9, 9, 10, 10, 10, 10, 10) ( success x 8 )

a stabbing pain

[Sciatica

Soak!]

Dice: 7 d10 TN6 (1, 2, 3, 4, 4, 5, 7) ( success x 1 )

a stabbing pain

[End of Round One:

Erich: Fine, and way too pleased with himself.

Sciatica: 7A X_X

Toothache: 10A X_X

Goldie: Fine and taking care of her own shit tyvm

Matt: BEING A SMART GODDAMNED KINFOLK

Bellyache: 3A, thanks again Goldie you're a pal

Headache: 9A X_X]

Goldie Lennox

Duty was something that Goldie was still beginning to comprehend. Keeping a Kinfolk alive was a simple enough task though, wasn't it? That was straight forward, point A to point B. Maybe that's why this was a good lesson to introduce the Ragabash to the concept of Responsibility.

That's why it was easy to let the other two monsters grotesquely fight it out over the fallen body of a dead girl (she didn't know that was a Garou, a Guardian, someone that Erich had probably seen in the hall a few days earlier). That's why it was easy to let the big fuck-off gray Wolf do his job (and he was doing it so well!).

That's why it was easy to spy that the man with the bloated gut was going after Matthew-- Matthew without claws and fangs and bullets and blades. Goldie, now a physical representation of the name she was given at birth, sprung forward claws first. And of course she had to tear open that belly-- naturally, she needed to see what was inside making all of that bulge and scratch and rumble.

She wasn't sure what she was expecting, but to see what looked like liquid blood shadow come pouring out and begin taking shape-- tentacles, wrapping around fingers and twisting-grasping-feeling into the air. Dark brown eyes that carried their way across all of her forms observed the horror unfurl, but more the man's pleas of 'Oh god' tore her attention from guts to face.

"You poor bastard." That's what Erich would hear and comprehend if his own ears weren't full of the sound of clashing teeth and crunching bone and tearing sinew. All that anyone else heard was a wet rasping snarl. "I'll save you."

And she wound up for another blow.

a stabbing pain

[Round Two!

Erich

Goldie

Matt

Bellyache]

a stabbing pain

[Bellyache

1a. Something really gross

1b. Again

1c. Yup]

Matthew Murphy

Ignore the fact that his blood would sing even to those who don't understand the words. 'Matty' is not a big damned hero. He isn't even a little bit of a hero. About the best he can do for the cause is stay alive so he can maybe one day do something useful.

In the meantime that bloat-bellied man comes towards him and after his eyes go wide he turns around and sprints not completely away but at least as far as one of the amphitheater's pillars. Puts him out of the line of fire a bit.

He wants puke on him even less than he wants blood on him.

Goldie Lennox

[ CALLED SHOT SPENDING WP -- Rip that throat out, yo ]

Erich Reinhardt

All he hears is crunching bone. All he tastes is blood. Blood and that awful, awful, cloying taste of whatever the hell it is they were all drinking, fuck, what the fuck was it? In quick sequence he's dispatched one-two-three of them but: still that taste, still that stench, and now,

now the last.

Erich wheels: paws bloody, jaw dripping. Ears flat, eyes glaring. Fur all abristle. He wheels and he snarls and then he lunges, heedless, nevermind whatever it was the bigbellied one intended to do. He knows what he intends to do:

tear it to pieces.

[2R again!

1a,b,R1,R2: LOTS OF BITING CUZ CREATIVE.]

Erich Reinhardt

1a. CHOMP.

Dice: 8 d10 TN5 (2, 3, 5, 6, 6, 8, 8, 8, 10, 10) ( success x 8 ) Re-rolls: 2

Erich Reinhardt

[dam]

Dice: 16 d10 TN6 (1, 2, 2, 3, 3, 4, 4, 4, 4, 6, 6, 7, 8, 9, 10, 10) ( success x 7 )

a stabbing pain

[Bellyache

Soak! HEH. HEH HEH HEH.]

Dice: 4 d10 TN6 (2, 4, 7, 10) ( success x 2 )

Erich Reinhardt

b!

Dice: 7 d10 TN5 (3, 4, 6, 7, 7, 8, 9, 10) ( success x 6 ) Re-rolls: 1

Erich Reinhardt

[dam]

Dice: 14 d10 TN6 (2, 2, 2, 4, 5, 5, 6, 6, 7, 7, 7, 9, 10, 10) ( success x 8 )

a stabbing pain

Goldie raises her arm to rip that poor soul open, end it for him. So far, none of the others have risen. Not even Kenzie. Kenzie, who Erich barely knew peripherally and Goldie never met, and only knows that some of what she's been smelling tonight is the fading, cooling purity of a Silver Fang.

Goldie is going to be compassionate. And like most Garou, that compassion can only come through violence. That compassion is always going to be tinged red with rage, stained red with blood.

The man with the Frankenfruity t-shirt throws down his EnerJam now that its empty, and the tentacles in his stomach protruding towards her take on a stiffened, sharpened shape, as though they could become spikes, as though they will shoot forward and --

Something else is birthed through the torso of the last standing homeless man. It's a head, and a face, but not a human face. Closer to a crinos face, but more elongated, like a wolf's. Too large though. She doesn't recognize the fur, because it is saturated --

saturated --

with blood. Blood that is black and blood that still moves slightly, worming over Erich's features even as the host dies. Blood that drips from him, it runs so thick, so hot, trying to sting his eyeballs. Viscera clings to his lower jaw as he rips his teeth into the man's back, through his body, out through his chest.

What is left of the man's form weakens, slumps. The tentacles that were becoming spikes and had once been shadows just collapse in midair, as though instantly melted back to blood. They drop, splashing on the ground, all over Goldie as well. The wiggling droplets through Erich's fur stop moving of their own accord, their host and the dark magic that was in him collapsing as well, becoming nothing more than terrible, foul-smelling fluid.

The body slides off of Erich's muzzle to flop, wetly, between he and the Cliath.

The ampitheater is suddenly very quiet, but for the sound of Matt's boots hitting the concrete, thwacking rhythmically as he runs.

Goldie Lennox

Goldie had raised one arm up to strike the man down and put him out of his misery. There was no saving him that also coincided with keeping his life-- his belly was open, and even if they did exercise the Bane that had latched onto his soul his body would never survive the ordeal. She was lining up a shot, gauging an angle and figuring how she should swing from the shoulder and rotate her wrist to be able to simply snatch that man's windpipe away from his throat.

Blood tentacles were hardening and jutting outward, going from flailing and curling to stiffening and aiming. Perhaps they would shoot forward to impale her? She was torn between continuing the swing and making a leap back to save her own belly when all of those concerns were taken away by a splash of dark red blood across her short snout and very fuzzy chest.

Dark eyes blinked in confusion as they tried to comprehend the massive wolf head that took the place of the man's chest and ribcage. She met Erich's eyes and for a moment her gaze burned. Her Rage was not substantial, it was certainly nothing to match his own, but the moon was still quite close to full and she had spent none of her Rage, had burned none of it through battle while Erich was happily blowing through his like a child through a package of Skittles. For a second the eye contact was electric, wound tight and full of the potential for so much more violence.

But then she simply huffed and the hand that had been lifted to strike instead dropped down to wipe the blood from her face as best she could and flick it toward the ground. She took a step back, slipped down from Crinos to Glabro (she would still need muscles to move bodies no doubt), and turned her head to and fro to hunt for Matt.

The bellow that she called out across the park was deeper and louder than any sound she'd made in Crinos, but then she hadn't been roaring had she?

"MATTHEEEWWW!"

Matthew Murphy

Yeah that's great Goldie yell his name super loud so everyone within earshot can hear it that's going to do wonders for his anonymous bystander case.

"Jesus Christ, I'm over here, stop fucking yelling!"

He doesn't tell her to shut the fuck up in front of another Garou but she's heard him yell at his older brother enough times to note it in his tone.

Erich Reinhardt

And....

splat.

That's the last noise ricocheting through Erich's ears. Before that: the wet squelch of flesh, the snap of bone, the pop of organs, viscerae, entrails, blood. But now, just splat. Splat, something lands on its face. Used to be human. Not anymore.

Then just his breath heaving through his lungs.

Then just his pulse thundering in his ears.

Then -- then -- then, gradually the shouting, the beat of footsteps away, the rattlerattlerattle of a can of that crap rolling empty on the pavement.

A low sound somewhere between growl and groan. Erich sinks down onto his haunches, onto his belly. He crouches amidst the wreckage, the devastation, the bodies. He noses ... what is that? Meat. He lays his muzzles over the dead body of the Silver Fang. He whuffs, he gives his tail one heavy thump. And for a while, he just

stays there.

Goldie Lennox

Matthew hit her with that 'Shut the fuck up' tone, but it didn't hurt her feelings any. His voice brought her eyes in his direction, and when she saw that he was a good distance away and utterly untouched, she was content. Whether he was walking back over to join them or not was, for the moment, unimportant. She could understand why he may want to keep his distance. Her own nose -- longer, sharper, more turned up at the end to more closely resemble a snout-- wrinkled at its bridge just to look at the mass of what was best described as a shell near her sneakers. Blood had splashed them too, of course. She still stepped back to avoid having them flooded with the forming pool of blood on the ground.

The big gray wolf, perhaps still glowing, was over by the fallen body. He'd laid down, nosed it, and then simply stayed put. Goldie hesitated, but only momentarily, before walking over to the massive wolf's side. She could have laid a hand on his flank without bending, but instead she wiped the blood from the fingers of her right hand on her pant leg and jammed her hands into her pockets.

"Hey."

That was a great introduction, Goldie. Spot on. You're doing people proud with this charisma.

"So, uh, I don't know who that was. But I think we should probably get the fuck out of here before people start showing up." A pause, a consideration, and then she offered: "Should we bring her with?" Clearly in question to the fallen girl's body, the cooling flesh that once claimed True Royalty.

a stabbing pain

The Guardian is on the ground. She's in homid, no older than 19. Her hair was red -- dyed that way, almost orange -- with bright blonde highlights. Pixie nose. Slender body.

Her hand is clutched around a can of EnerJam. Her body is split open, throat to bowels, in several places. Some of them look like giant cigarette burns. Even in cold, rigid death, her hand clutches tight to that can.

Matthew Murphy

It takes him a bit longer than the Garou to figure out that the fight is over. That they've won. From where he was standing he could count the number of Wretched and he could count the number of bodies but it's different for an observer than it is for one in the midst of it. All he could do to keep from adding another Gaian body to the pile was run the hell away.

Once several seconds pass without the sound of teeth tearing flesh or fluid splattering on concrete Matthew who has his back to the pillar now that he's behind it leans out slow just enough that he can see what's going on. Steam rolling out of his mouth lets Goldie know he's still alive if the fact that he still had a voice did not do it.

He reaches into the inner pocket of his coat and finds his cellphone. It's a burner. He doesn't remove it yet but to touch it is a reminder that it's there. He swings around the pillar and starts to walk back towards the scene of the carnage. Walks slow like he's coming upon it for the first time.

He doesn't speak. His bootsteps give him away.

Erich Reinhardt

Some time passes.

Then Erich lifts his head. He looks around. Folds a forepaw under, sinks onto the side of his haunches. Blood and ichor drips from his jaws. He gives his head a loose, slow shake. Then he looks up at Goldie.

"Don't know. Can't tell if she drank that or if she was trying to keep someone else from drinking it."

Pause.

"Maybe we need to leave her here."

Goldie Lennox

"Then we'll leave her," Goldie agreed with a nod. With the knowledge that she wasn't going to be hauling any bodies tonight, Goldies' body shrank down even further, significantly more, until she was in Homid again. She was a petite girl to begin with, lean-limbed and less than five-and-a-half feet tall, but she seemed all the smaller when standing beside Erich's Hispo.

He wasn't sure if she'd been drinking the drink or preventing the others from imbibing. With her hood down, Goldie's wavy sand-colored hair was let loose and hanged down past her shoulders to rest in front of them. Her face wasn't naturally freckled, but speckles of blood made it seem so. She made a 'Hmmm' noise of thought while looking at the body of the girl, at the can of EnerJam in her hand, and deciding whether she'd been consuming the stuff or not. Ultimately, she shrugged and concluded: "Well if she'd been drinking it like these guys were, she probably wouldn't look as normal as she does. Y'know...," she added with a cringe, because there was nothing normal about how torn up she was. "Considering the circumstances."

Those giant circular burn marks, though, they had Goldie feeling a little weak and sick. She didn't get to learn what those blood-shadow-tentacle-spikes did, but now she had an inkling to ponder.

Boots thumped faint on the concrete, and Goldie glanced over her shoulder to see that Matt was approaching. Usually she'd smile something only slightly wicked at him and raise a hand to hail him, but this time she simply pressed her lips together in a grim kind of expression toward the Kinsman before looking back to the giant borderline-wallowing wolf.

"So, I don't mean to tell you what to do or anything because Gaia knows that isn't my place, but maybe you should... ah... become a little less obvious." A hand left her pocket so she could jerk a thumb over her shoulder, and she raised her eyebrows at Erich who was still a Hispo, still on the ground, still not getting the fuck out of there. "And then we can jam." Get it? EnerJam? "On out of here. Like, before sirens and men with nightsticks come."

Matthew Murphy

If a shred of life still lingered in the girl or if he knew she had been Garou once before the band of Wretched had at her he would have raised a voice of protest. But he doesn't know. He does not have psychic powers and he cannot tell the corpse of a Garou from the corpse of a teenage girl.

She's younger than his kid sister. That doesn't mean his gaze doesn't linger on the body for several seconds before he blinks his way back into the conversation.

Matt adjusts the way the ski cap sits on his head and scowls at Goldie's pun. Too soon, girl. The scowl lingers as he fishes out his phone.

"You need me to...?"

The question aimed at Goldie and she knows what he means. He can run damage control. Cops fucking love 911 calls and eyewitness statements from concerned citizens who just happened to stumble on a load of bodies on their way home from work.

Erich Reinhardt

Erich whuffs. He lies there a little longer.

Then, heavily, he pushes himself up. Shakes his fur out again. Turns; takes one two three steps away.

Turns back. Puts a paw on Kenzie, which turns into a handpaw, which turns into a grab: he picks the body up -- wounds and all, can and all -- and slings it over his shoulder.

"Changed my mind," he explains unnecessarily. "Let's go. We'll Cleanse back at the Sept."

Goldie Lennox

"Uhhhh," is all that Goldie has to say at first. The man that she was trying to convince to go back to being a man instead of being a giant wolf had instead turned into a different kind of giant wolf and was now carrying the corpse of what she could only assume to be The Victim over his shoulder.

He wanted to lead them back to the Sept to be cleansed. Goldie stared somewhat slack-jawed for a second, then snapped her teeth and lips closed and looked back to Matthew again. He had his phone out, was asking if he should, and the 'should' was apparent. Goldie thought about it for a second, then looked around before shaking her head.

"That's sweet of you, Murphy. You're a class A chum, really. But I think we should follow this guy-- the cleansing sounds more important than the witness call, don't you think?"

She smiled sweetly, and the corners of her eyes even did a fine job of bunching up with the expression, but of course she was still twisting in the stomach and jittering in the nerves and boiling in the Rage, but she still put on that smile and even went so far as to hook an arm out to offer the Kinsman her elbow.

"Come on, or we're gonna miss our guide."

Matthew Murphy

He opens his mouth to ask why the fuck he'd need to be there for the cleansing but as he's drawing the breath to ask he looks at the Ragabash and sees something in her face that makes him let the breath back out without catching any words.

From a distance it sounds like a sigh.

"Whatever you say, Boss."

He puts the phone back in his pocket. If she thinks he's going to take her elbow she's drunk and needs to go home.

"I'm comin', I'm comin'."

Saturday, September 6, 2014

Ramon's dead all right.

Éva

The building itself is redbrick, solid, three stories, foursquare, with stone lintels over the doubledoors leading inside and framing in all the oversized windows. An old elementary school transformed into low income apartments with grants and redevelopment. The money did not go all the way to ripping out the old asphalt playground and installing the parklike setting that was shown on the diorama presented to the Denver Housing Authority to show how beautifully the place would be finished out, so the building proper is surrounded by a weedy asphalt and the rusting A-frames of old fashioned swingsets. The swings long, long gone.

The lighting is shit and half the streetlights are out and dusk comes ever-earlier. It is already September, and once the heat of the day is gone there is a distinct chill in the air.

Saturday.

There are kids on the corner, two blocks down, young enough that they should be playing, old enough that in this neighborhood one is certain that they are doing no such thing. We'll call it work, instead.

They pull up in a mid-2000s Chevy, dark and completely unremarkable, slightly dented, the sort no one would care to bother with. Not even here.

Éva kills the engine, sits for a moment with her hands on the wheel, watching sunset flood the sky with its peculiarly bloodied light and gives Erich, in profile, the sort of smile that feels both false and absolutely real.

"I don't want to spook Ramón if we can avoid it. I don't mind company inside, but if he's in, perhaps you should wait outside while we talk."

Erich

Erich doesn't really know what he's doing here, truth be told. Which might imply that he's not pleased to be here, or that this wasn't his idea, or that he didn't come here for a reason, but none of that is true. He wants to be here. He's sort of even pleased that he is here, because that means Eva -- that paragon of Shadow Lord-ness -- has deigned to accept his help. He also came here for a very good reason, and that reason is simply:

Eva is going somewhere bad, and

Eva is his kin, and

therefore Erich should Do Something.

But therein lies the question. What, precisely, is he to do? He has never played bodyguard before. He thought perhaps he should stand over her shoulder and glower and generally look menacing, but then: no, she tells him that is exactly what he doesn't want to do. He thinks; he looks out the window at the building which was once a school and is now what might simply be termed A Project, as in A Low Income Housing Project, as in The Projects. He looks over at Eva, all cool and self-possessed and efficient and Thunder, Thunder, Thunderous.

"Should I walk you to the door then? Or just sit here? I think sitting here would make me pretty useless. If I'm supposed to be useful, I mean."

Éva

Erich's question makes her smile, quite suddenly. Quick and sure and unselfconscious. She slides the keys out of the ignition and turns them over in her hand. There are just three on the ring, and only one works.

She does not know why they keep the others there.

"Come with me inside. Be alert. Nothing's going to happen. I do this all the time. But you'll be close then, in case."

A pause. She is slipping the keys into the right pocket of her jacket.

She is opening the driver's door.

"All right?"

Erich

His door pops open as soon as the word inside leaves her mouth. Erich climbs out of the mid-2000s Chevy, which even Erich knows isn't her usual car, shutting the door with the heel of his hand as he stretches the kinks out of his legs.

"Right," he affirms. Then a quirk-grin: "Funny you're the one reassuring me that nothing's going to happen. Isn't that my line?"

Tucks his hands into the back pockets of his jeans and, unlikely duo that they are, follows Eva building-ward.

Éva

Per + Alertness

Dice: 5 d10 TN6 (1, 6, 6, 8, 10) ( success x 4 )

Erich

[per+PU]

Dice: 5 d10 TN6 (2, 3, 5, 6, 8) ( success x 2 )

Éva

At this hour even in the heart of the city there should be birds singing. Erich cannot hear a one.

Éva

Éva takes in his quirking grin with a side glance that is composed enough that it could be taken as supercilious, quite nearly sly, except for the supple threads of humor that she allows to leak through, like light from inside a shuttered window, diffused and redirected by the slats.

And she is out of the car as well, pulling an attache case from the back seat before closing the door behind her.

The weekend. She wears sleekly fitted jeans and a soft white blouse with a pinstripe beneath a dark gray jacket, with menswear details and menswear styling. And books, a well-worn black, without much of a heel at all and just enough of a retort on the sidewalk that one knows that she is coming.

They walk in the building's shadow, following the line of the old fence, which was topped with failing coils of razor wire no one bothered to take down when this became a series of residences rather than a reform school.

Except for the retort of her heels on the pavement, it is quiet.

They climb the steps, from the sidewalk into the asphalt schoolyard. Éva's eyes narrow on the windows as they walk.

"Someone in there is watching us," Éva tells him, lifting her chin subtly in the direction of one of the blanket-covered windows on the second story. "Could be their cable's been cut, for non-payment."

A quick, subtle little smile.

"Could be they haven't sensed you yet, and we look like prey."

Erich

"Like you're not a predator, yourself," Erich retorts,

which may just be the most astute thing he's ever said about Eva. They climb the stairs together. His sneakers do not click smartly on the pavement; they make little enough sound at all, cushioning his long stride, the agile animal motion coiled under his affable nebraska-boy facade. He knows well enough not to look right at the window as soon as Eva points it out, but he does, after a while, flick his eyes up that way. And again.

Then they're at the door. Erich's last step up is a bound, taking him ahead of Eva. He pulls the door open and -- apparently having forgotten all his mama's manners -- barges in ahead of her.

Éva

A doorway.

A stairwell.

Industrial and clinical, made to be used. Wide-open steps rising a half-flight to the first floor and sinking a half-flight to the darkened basement. On the wall: a row of locked mailboxes that seems equal to the vintage of the school and must have been salvaged from a tear-down somewhere.

Flyers litter the floor. For cheap pizza and cheaper pho. Specials on plasma donations. Get an extra five bucks on every fifth visit!

"You have me wrong," she tells him, as she walks in after him. Her voice is quietly composed and her humor is strange and is dark and she means it too, though perhaps in this she is utterly incorrect.

A flick of a glance up the stairwell.

The old fixtures were taken out. Left behind: naked bulbs hanging from wires, an ugly wash of too-white light.

One of the bulbs is strobing.

"Ramon is on the second floor," she tells him as she starts to climb. Fingertips trailing on the balustrade.

A moment later, "You weren't born to us, were you?"

Erich

A startled glance. If she'd meant to turn the spotlight squarely back to him, take it off herself, she's succeeded. If she's trying to make conversation -- and an odd time for conversation it would be -- she quite fails. He's so taken aback that he pauses a second, his footsteps faltering on the stairs. Then he trudges on, making no attempt to disguise his gait. On these hollower steps, he's quite audible. It's still moments before he speaks again.

"Nope." Forced-light, that. "Blond hair, blue eyes, and I hulk out like nobody's business. I'll give you three guesses and the first two don't count."

They pass that strobing light. Erich thinks of smashing the bulb. Maybe a real Fenrir would. He, however, passes it; leaves it be.

Éva

A sore point.

She apologizes with silence, you understand. She does not guess. They circle the first floor landing and glance at one of the fire doors, propped open, and keep walking. The noise echoes remarkably in this open space. Close to the railing and in the center as well, the hollowed grooves worn by thousands of feet into the stairs.

They have rounded the landing between the first and second stories, still in silence. Erich still leading the way, when Eva's voice floats up from behind.

"Ellie's father was - " a mildly ironic pause. Who knows who may be listening. "Nordic. I don't think he was born to them, either."

The firedoors leading to the second-story hallway are not propped open. They creeeeaaaak as Erich pushes them. The hinges want oiling.

Inside: a long hallway, dark and stuffy. One light at the end of the hall casts an ugly white pool of illumination on sickly sea-green paint. A door half-way down stands open, warmer light from within.

"We're looking for 2-C."

Erich

"Huh." Interest, a glimmer. "What was he born to, do you think?"

They're looking for 2-C. Right. Eyes on the ball. Eyes on the prize. Erich turns around. He's gotten ahead of her again: because that's all he knows to do, see. Stand in front of the weaker. Shelter them, protect them, tear anyone that tries to get to them to little bloody pieces. He hulks out like nobody's business.

They pass 2-B. Loud music blasted out of shredded speakers. Erich rolls his head on his shoulders. He's wearing his throwed-rolls t-shirt again; thinks to himself he should've left it at home. Wouldn't want to get bloodstains on it. Eva says she's done this a thousand times and nothing's gone down, but Erich: Erich likes to be ready for trouble. Erich attracts trouble. Erich is trouble, sometimes.

Éva

"Nothing," she says, quietly. There is a thread of speculation in her voice, a coil of it, which has the tincture of nostalgia and the weight of a rope. This is: far in the past, and yet the past is ever-present in us.

Not precisely a weight.

Perhaps it is even a lightness.

"That was always my guess anyway." Her voice contrapuntal against the bass blaring from that room. That noise, that too-human noise is not precisely enough to disarm her, but it does ease the tension that has crept in to the facet joints of her spine. "The truth is I don't know."

2-C.

The door stands open.

And Erich is going ahead because he knows nothing else; because that is what he does: he shields the weak. The weak-er.

"Wait," she says. "Let me."

And Éva knocks, lightly on the open door. It is hard to hear over the noise from the stereo in 2-B, so she repeats the knock, and then decides to let herself in.

The door is open, after all.

Erich

Oh the curiosity.

Oh the burning questions.

Erich's too polite to ask, but Eva's too astute not to notice the curious gleam in his eyes. Who what where why when how. Okay, maybe not the how. No, not the how, he doesn't want to know the how of Eva's acquaintance with the father of her first child, that would be way too much information. But still: the who what where why when. The why, especially; someone she knows so little of, not even a history, not even a birth tribe. A guess, that's all. Erich ponders, briefly, what it would be like to be born of that sort of skimming uncertainty. Erich ponders, briefly, what it would be like to be associated with that sort of skimming uncertainty. A one-night stand. Has he had them? He supposes he has, by definition. But they felt different; awkward and fumbling and few and far between. They weren't really one night stands. They were girls he liked who liked him until they were scared away.

Anyway.

All that in the past now. He has Melantha. Right? Only no one ever really has Melantha, except herself. She is free and wild as the wind. As honey harvested from the summer blossoms.

Now they are at 2-C. He has no time for questions, anyway. he is about to go ahead -- but she stays him. He pauses, turns his head, his profile so fucking -- how did she put it? Nordic. All deep brow and strong nose and those lean cheeks, that strap of muscle from zygomatic arch to angle-of-jaw. He steps back, and so she steps ahead. She lets herself in and he hesitates;

hangs back. For now.

Erich

Dice: 5 d10 TN6 (2, 3, 6, 7, 10) ( success x 3 )

Éva

He has the briefest view of her profile as she slips past him. The sweep of her winged brows, the quiet slant of her gaze. The tension light and fine as it frames her dark eyes. The faint webs of lines in her skin, made more prominent by the angle of light coming from inside the apartment.

High ceilings recede into shadows. A narrow corridor illuminated a lamp at its end.

The watery reflection of an unseen television in the dark windows. The shifting sunset framed beyond.

Éva walks down the hallway. She is not trying to sneak up on her quarry. She does not want to be shot for an unannounced intruder. Her step is deliberate and she calls out the man's name - "Ramon?" in a fair approximation of its actual Spanish origin as she goes.

She disappears around the corner into what must be the living room, reaching a hand beneath her jacket to the weapon holstered there as she goes - just in case.

It feels so strangely quiet in here.

--

The air is still. Erich hangs back, for now. Watching.

The bass next door throbs.

The floorboards creak beneath Eva's weight as she moves. He notices something that he is just starting to process as blood smeared on the plate framing the lightswitch inside the narrow hallway when he sees Éva reflected in the windows sink to a crouch somewhere in the living room. Saying again, "Ramon?" this time with a very specific note of inquiry in her voice.

Something is wrong.

He knows, something is very, very wrong.

Erich

Wrong.

It beats in his blood like a pulse. Wrong: the silence. No birdsong. Wrong: the blood on the baseplate. Wrong: no answer inside. His kinswoman's cautious-confident stride, coming around, swinging around. If this were a horror movie it'd be time for the fast zoom. The close-up of some horrid murder, some terrible distortion.

This isn't a horror movie. This is his life, and something is wrong, and Erich, who never was one to stop and think anyway, shoves that door open so hard it dents the wall. Catches up to Eva in the space of three, four strides, inserts himself between her and --

whatever it is he might find.

Éva

Erich charges down the hallway, that wrongness beating a thread in his pulse that seemes to match the bass from next door. Cheap particle board bisecting the old classroom to make that hall, nothing on the walls except for stains, the smear of something just over waist high and he rounds the corner and finds -

- Éva, crouched over the body of a dead man, sunk down to her haunches. Weapon in her hand but held carefully, the safety still on, alert. Bloodstains on the cheap shag carpet someone slung over the linoleum, all the cheap cabinets in the kitchen open, the door to the bathroom open, dark inside, the television mute and inane, this hum hum humming noise coming from somewhere,

and nothing, nothing there. Nothing for him to shove himself in front of. Nothing at all.

She is cursing beneath her breath, trying to check his pulse, but she is no doctor, breathing out sharply as Erich comes in behind her, glancing up at him, as his shadow spreads over the scene.

"I think he's dead." Quiet. "Be careful what you touch."

Something is wrong. Something is wrong wrong wrong.

Erich

"He's dead all right."

That at least he's certain about. He doesn't need to check a pulse. All Erich needs do is take a breath.

He sinks to his haunches. His knees don't pop. Garou genes. Jeans too, if we're being witty. He's reaching out toward -- something, maybe some speck of blood or something, but again Eva's word stays him. He withdraws his hand.

"Was he important? Any idea who did it?" The questions are half-assed. He's restless, craning his head around. What is that sound. "Do you hear that?"

Éva

"You know Darling Annie?" He may know her; he may not. A bone gnawer kin, sometime stripper, occasional prostitute currently facing the death penalty for murdering a cop 2 or 3 years ago. "Prosecution finally turned over the logs of the investigators interviews. He was on it. I hoped he'd be able to corroborate her story that the officer attacked her. Because right now we're not getting any traction - "

And she is explaining, and she has no idea who did it, and she is shifting in place, frowning down at the body, then glancing blankly over the depressingly cheap apartment, speaking in that low murmur that slides beneath the hum hum humming and above the reverb of the bass next door, reaching back to reholster her weapon -

when the dead man starts to move.

Erich

[inits! +17 cuz fostern ahroun]

Dice: 1 d10 TN6 (7) ( success x 1 )

Éva

Ramon +7

Dice: 1 d10 TN6 (4) ( fail )

Éva

Eva +7

Dice: 1 d10 TN6 (7) ( success x 1 )

Éva

Order:

Erich: 20+

Eva: 14

Ramon: 11

Éva

Ramon:

1. Bite Eva.

Rage 1: Bite Eva.

Éva

Eva: 1a. Dodge. 1b. Shoot Ramon.

Erich

[-1 for resist pain!]

Erich doesn't know Darling Annie. Erich doesn't know the trial, doesn't know the story, doesn't know the sentence.

Erich does know, suddenly and with the fierce-bright burn of conviction:

that they are fighting for justice. So when the dead man starts to move -- well. He turns, rage crackles in the air like lightning, he falls on the not-dead man like a sack of bricks.

[3 rage.

1. tackle ramon to prevent chomping on eva!

R1. bite it!

R2. some more!

R3. he's not very creative: bite!]

Erich

[oh i should have also noted: 1 rage to hispo.

str+brawl!]

Dice: 11 d10 TN6 (1, 2, 3, 5, 6, 7, 8, 8, 8, 8, 9) ( success x 7 )

Éva

Ramon: uhm, str + ath to escape?

Dice: 4 d10 TN6 (5, 5, 8, 8) ( success x 2 )

Éva

Eva: holds action b/c she is afraid of shooting Erich. He is giant and Ramon is small.

Éva

Ramon: change action to bite Erich! +1 dif to change action. +2 dif because held.

Dice: 5 d10 TN8 (3, 5, 6, 7, 10) ( success x 1 )

Éva

Damage!

Dice: 5 d10 TN6 (4, 7, 8, 9, 10) ( success x 4 )

Erich

[soak!]

Dice: 6 d10 TN6 (1, 1, 5, 5, 7, 9) ( success x 2 )

Erich

[CHOMP!]

Dice: 10 d10 TN3 (2, 3, 3, 3, 4, 5, 7, 8, 8, 9) ( success x 9 )

Erich

[dam]

Dice: 17 d10 TN6 (1, 2, 2, 2, 2, 3, 3, 5, 6, 6, 6, 6, 7, 8, 8, 9, 9) ( success x 9 )

Éva

Soak?

Dice: 4 d10 TN6 (8, 8, 10, 10) ( success x 4 )

Éva

Ramon: Rage 1. Dif 8

Dice: 5 d10 TN8 (1, 7, 8, 8, 10) ( success x 3 )

Éva

Damage!

Dice: 7 d10 TN6 (2, 3, 3, 5, 5, 7, 9) ( success x 2 )

Erich

Dice: 2 d10 TN6 (1, 4) ( fail )

Erich

Dice: 4 d10 TN6 (1, 4, 4, 5) ( fail )

Erich

[CHOMP MOAR]

Dice: 10 d10 TN3 (1, 2, 2, 3, 4, 4, 8, 8, 8, 9, 10, 10) ( success x 9 ) Re-rolls: 2

Erich

[dam]

Dice: 17 d10 TN6 (1, 1, 2, 2, 2, 3, 3, 3, 4, 4, 5, 5, 7, 8, 9, 9, 10) ( success x 5 )

Éva

Soak?

Dice: 4 d10 TN6 (1, 6, 7, 8) ( success x 3 )

Erich

[SRSLY, CHOMPING NOW]

Dice: 10 d10 TN3 (4, 4, 5, 5, 6, 6, 7, 7, 8, 9, 10, 10, 10) ( success x 13 ) Re-rolls: 3

Éva

Éva is holstering her weapon, glancing up, canting her head (animal, you see, beneath her skin) to listen to that whining note of something that drifts above everything else in here and she wants to attribute it to one of those pulsing bulbs in the stairwell but the moment feels wrong and then the dead man at her feet is lurching upright, this schcliking noise as he does not so much inhale as he gasps out some lingering bubble of gas from the corpse and he is reading for her and opening a mouth full of jagged teeth and she is stumbling backwards, inelegant in this because avoiding those teeth is her first and absolute priority and then she is leveling her gun but before any of that has even seemed to happen Erich is in motion, suddenly wolfen, filling the room, snarling and jumping on the animate corpse and here is the battle, one to one, in bloody place. Two deep bitewounds in Erich's neck are the only source of bloodspatter. When Erich bites Ramon: he tastes the grave, and the blood inside the veins is already turning to dust in the Ahroun's mouth.

It has not been a moment; it has not been a minute. Three heartbeats have passed.

Instinct has Éva lifting her weapon from the fight between her tribesmate and the corpse to aim it at the darkened open door to the bathroom. Something comes shuffling out, staggered on a broken limb. She shoots a three-round burst. The bullets dot-dot-dot: the eye, the cheek, the ear.

The thing staggers. Erich leaps.

It goes down.

Another three heartbeats.

And still the whining sound. Something in the hallway outside the apartment.

"You're hurt. We have to get out of here."

Éva

Éva is holstering her weapon, glancing up, canting her head (animal, you see, beneath her skin) to listen to that whining note of something that drifts above everything else in here and she wants to attribute it to one of those pulsing bulbs in the stairwell but the moment feels wrong and then the dead man at her feet is lurching upright, this schcliking noise as he does not so much inhale as he gasps out some lingering bubble of gas from the corpse and he is reading for her and opening a mouth full of jagged teeth and she is stumbling backwards, inelegant in this because avoiding those teeth is her first and absolute priority and then she is leveling her gun but before any of that has even seemed to happen Erich is in motion, suddenly wolfen, filling the room, snarling and jumping on the animate corpse and here is the battle, one to one, in bloody place. Two deep bitewounds in Erich's neck are the only source of bloodspatter. When Erich bites Ramon: he tastes the grave, and the blood inside the veins is already turning to dust in the Ahroun's mouth.

It has not been a moment; it has not been a minute. Three heartbeats have passed.

Instinct has Éva lifting her weapon from the fight between her tribesmate and the corpse to aim it at the darkened open door to the bathroom. Something comes shuffling out, staggered on a broken limb. She shoots a three-round burst. The bullets dot-dot-dot: the eye, the cheek, the ear.

The thing staggers. Erich leaps.

It goes down.

Another three heartbeats.

And still the whining sound. Something in the hallway outside the apartment.

"You're hurt. We have to get out of here."

Éva

STOP.

Éva

Éva is holstering her weapon, glancing up, canting her head (animal, you see, beneath her skin) to listen to that whining note of something that drifts above everything else in here and she wants to attribute it to one of those pulsing bulbs in the stairwell but the moment feels wrong and then the dead man at her feet is lurching upright, this schcliking noise as he does not so much inhale as he gasps out some lingering bubble of gas from the corpse and he is reading for her and opening a mouth full of jagged teeth and she is stumbling backwards, inelegant in this because avoiding those teeth is her first and absolute priority and then she is leveling her gun but before any of that has even seemed to happen Erich is in motion, suddenly wolfen, filling the room, snarling and jumping on the animate corpse and here is the battle, one to one, in bloody place. Two deep bitewounds in Erich's neck are the only source of bloodspatter. When Erich bites Ramon: he tastes the grave, and the blood inside the veins is already turning to dust in the Ahroun's mouth.

It has not been a moment; it has not been a minute. Three heartbeats have passed.

Instinct has Éva lifting her weapon from the fight between her tribesmate and the corpse to aim it at the darkened open door to the bathroom. Something comes shuffling out, staggered on a broken limb. She shoots a three-round burst. The bullets dot-dot-dot: the eye, the cheek, the ear.

The thing staggers. Erich leaps.

It goes down.

Another three heartbeats.

And still the whining sound. Something in the hallway outside the apartment.

"You're hurt. We have to get out of here."

Erich

He's hurt. He's hurt? Erich-wolf laughs; it comes out a snarl. He struggles; so hard to speak like this. So much easier to bite-bite-bite-kill.

"I maybe hurt. He very dead."

Point made, he shakes out his fur. Takes a long damn time of it too, all that thick musk-pungent fur foofing out this way and that: head to toe he shakes, and as he does his pelt -- that dappled pelt, more grey than black, mostly grey with splashes of black, white, brown, cream -- takes on a glow, takes on a light of its own.

He chuffs his agreement. Well, sort of. He chuffs but he eyes the hallway and he wants to stay wants to bitebitebitekill but then he is not alone, and Eva has kids, and he has some sense of responsibility and so:

"You ... stay behind."

He starts toward the hallway.

[-1gn! for luna's armor. here is a roll.]

Dice: 9 d10 TN6 (1, 2, 3, 4, 5, 6, 7, 8, 8) ( success x 4 )

Éva

"Wait." There is a degree of authority in her voice; she incises it into the moment. Tells him to: wait, you understand, - and she is on her feet now, still holding the weapon, scanning the space, licking her lips because she finds them - and her throat - suddenly dry.

"The window. We're alone and you don't now what's out there. How many.

"We can get out the window. You can come back with a pack."

Erich

A low twisted-twisty sound in his throat, somewhere between whine and growl. Tastes so much like retreat, this. Tastes so much like tuck-tail-and-run. Erich wavers; Eva can see it. He looks between door and window and his body leans this way, then that.

Then he decides. He wheels around, massive, heavy, big paws lifting and body swiveling and big paws coming back down, one-eighty. He trots toward the window -- his passage is a small earthquake -- he noses it open or, if necessary, he dashes it asunder with his paws.

"How ... you jump?"

Éva

She has already started fumbling with the frame, which is badly hinged, reluctant, the sashes stiff as corpses when Erich comes back down the hallway to the wide, wide windows overlooking the dark, weedy asphalt that was once the recreational area for the juvenile delinquents. The metal frames of the old swingsets. All of it.

It goes up like a dream when he noses it open.

She is at his side, wary and aware, glancing behind him down the narrow apartment hallway, toward the yawningly dark opening beyond.

"I'll try to climb," she tells him, exhaling. "And if I can't climb, I'll try to fall as well as I can. The lower I am the less likely I am to break something badly. Alright? If I hurt myself when I fall, I'll need your help to get to the car. We don't want to be found here."

Erich

It crosses his mind to offer -- he doesn't even know -- a ride? Piggyback? Horseback? Crinos-back? Something. He doesn't. He wouldn't presume, he wouldn't dare, it would be so fucking humiliating for the both of them. He chuffs again, which is easier than speaking, and then

that enormous wolf-beast rears up on his hindlegs, paws on the windowsill. He looks out over the would-have-been playground, schoolyard. His ears swivel -- that noise behind, whatever it is that lies without. Violence and rage and death beckon him, but he doesn't turn around.

He jumps. Just as smooth-swift as that first time he met Charlotte, that first step-step-leap he took that launched him up, up onto that fountain. He launches himself out of the window, parabolic, reaching the top of that arc and hanging for an endless breath before he drops,

lands with a grunt on the pavement below.

Éva

Climbing down. Str (2) + Ath (3). She needs 6 success to make it all the way down, and can have a second roll if she gets successes on the first.

Dice: 5 d10 TN8 (5, 7, 8, 9, 10) ( success x 3 )

Éva

And again.

Dice: 5 d10 TN8 (3, 5, 7, 8, 8) ( success x 2 )

Éva

Fall damage the last 10 feet.

Dice: 4 d10 TN6 (5, 7, 9, 10) ( success x 3 )

Éva

Soak!

Dice: 3 d10 TN6 (1, 2, 10) ( success x 1 )

Erich

[soak!]

Dice: 6 d10 TN6 (2, 5, 5, 6, 7, 9) ( success x 3 )

Éva

He jumps. Falls, that perfect arc, that perfect, impossible atheleticism.

She does not have such gifts. She holsters her weapon and climbs over the windowsill and picks up her attache case and drops it over the edge, down into darkness.

Then she starts to climb, eases herself over the lintel, strains for toeholds against the brick. Feels the mortar crumbling beneath her fingers, cannot breathe and regularly reminds herself to remember to keep doing it.

Her fingertips are raw and her shoulders are number and her arms feel like water before they finally give out. She misses a hold and overcorrects and cannot hold her own weight with just one hand and so -

she falls, the last ten feet to the solid asphalt, twisting her ankle badly with the impact that sends her rolling into another prone corpse.

Which is: awakening.

This one Erich dispatches with one great snap of his jaws, quite literally tearing the head from the body and throwing it like a child's beachball, up up and away.

Eva has regained her feet - and her briefcase - by the time Erich wheels around. She is standing on her left leg, favoring the right. "I think you're going to have to drive."

There are: more noises from within, which she quite resolutely tries not to hear.

Erich

Okay. One risen corpse: that's just a risen corpse. Two? Three, four, more inside? THE PENNY DROPS. They're standing on a goddamn zombie farm. Or something.

Erich is down there, giving little hops of his forepaws in excitement-or-something at the realization, when Eva slips-misses-falls and his heart goes hammering into his throat and in that split-instant when Eva is in the grip of gravity Erich's life is flashing before his eyes, or at least:

the images of Eva's little kids and the thought of going to them and saying I'm so sorry but your mommy died because she fell out a window oh god the inglory and then he'd have to tell them why he couldn't just give her a crinosback ride.

But then she lands, and it is not a pleasant landing, and perhaps there are noises of pain but regardless: she is moving. She rolls into another corpse and the corpse is moving too and Erich is dispatching it with brutal, nearly joyful efficiency, and then Eva,

Eva is getting up and he will not be telling her next of kin after all, and

he is so delighted that he headbutts her, gently, but it is still a headbutt from a direwolf. The top of his head solid and thud against her midriff.

Then they have an escape to complete. She thinks he's going to have to drive. He sniffs at her ankle, delicately, and then he turns and pushes off and flows upward and then he is an Erich again. A very hirsute, slope-browed, cro-magnon Erich, but close enough. There is blood oozing from two deep bites to his shoulder and neck, but already it is slowing.

There is no blood in his mouth. His mouth tastes of ashes and decay.

"I'll drive," he agrees. Very agreeable boy, Erich. "Do you -- uh. Need a shoulder to lean on?"

Éva

"Please."

Her voice is tight from the pain, but beyond the mild, natural strain there are few signs. She swallows them. Maneuvers herself somewhat awkwardly as she pulls her keys from her right pocket and hands them to him and then - one arm draped around his hulking shoulders - hobbles with him toward the car.

--

She is a tall woman, but still, he will have to put the seat back once she is safely deposited in the passenger's seat and he has taken the driver's side. While they drive she pulls out her phone to call the Sept.

They will be met in the parking garage, underground though not so deep underground as the pit against which they are there to guard - the city and the world from whatever lies on the other side. A small pack ready to return to the apartment block with Erich, to clean up.