Monday, December 23, 2013

a very tinyhouse christmas.

Erich

It is nearly Christmas! And the tinyhouse is still up in Evergreen. It moves from time to time -- partly to avoid getting an abandoned-vehicle ticket, and partly because the snowfall has been so heavy, and the cold so bitter, that Erich doesn't want the wheels freezing into place. Or the tinyhouse getting totally buried. Or Melantha having to go too far to work every day, and so on and so forth.

Still, for the past week or so, it's been situated in the residential part of town, amongst other little alpine-style houses that are one by one putting on their Christmas costumes. Lights on the eaves, wreaths on the doors, plastic Santas on the lawns -- it all leaves the tinyhouse looking rather shorn and forlorn.

So maybe it's Charlotte's idea that they decorate. Charlotte, who once threw the loveliest birthday party Erich had ever seen, with lights in the tree and meatcakes and candles and and and...

Charlotte, who suggests lights for their house. Little tiny all-white icicle lights draping from the roof outside; big, bright, colorful bulbs inside, plus maybe some fake snow and the like for the cabinets. And a wreath for the door and, of course, a tree. So that's what they're working on right now, with Melantha at work and the two of them at home. Erich is outside on a ladder, hammering tough little brackets to the eaves so they can hang lights up year after year without repeatedly making holes. Charlotte is inside working on inside-decoration-stuff, and just for good measure their tiny little oven is on and Erich is trying to make gingerbread cookies from store-bought mix.

Trying, being the operative word. Though even if it fails, he has eggnog ice cream in the freezer.

The door is wide open. It's frigid inside. Erich yells from the back (or the front, depending on whether the tinyhouse is parked or moving) -- "Hey, can you come see if this is on straight!"

Charlotte

Charlotte does not care about Christmas particularly, but she loves the lights. The time of year demands them. It is dark dark dark and we have to pray to make the sun return; we have to light up the darkness to remind ourselves that the seasons will move as they always do. That we sleep and wake and sleep again. There is a thing called Yule and a thing called Solstice and a thing called Christ's Mass and they have all been folded in together.

It is winter and the snow is deep, and the day is wan and the night is dark and long and the earth sleeps beneath its blanket of frigid white.

But spring will come.

It always does.

--

It is freezing inside the cold snap right now is sharp enough that it makes Charlotte's lungs burn with every breath she takes and even with the tinyfire and the tinyoven both on and the gingerbread cookies maaaaybe burning in the oven (Eric made men. Charlotte made sparrows and and tree branches and eyeteeth) the scent is festive, bright and spicysweet. Whatever she is doing inside is perhaps not traditional but does include the crisp scent of pine branches still metallic with cold and snow, but she abandons it readily enough to poke her head out through the door and then the rest of her body, hands in her pockets, pulling her hoodie close against the cold. She's been working inside so isn't wearing the bulk of her winter's coat and is clenching her jaw because she wants to forestall chattering and tips her head back and up, pale eyes flickering over the lights Erich has already put up.

"Which way do you want it?" Charlotte asks, thoughtfully, her nose wrinkled as she considers his work thus far.

Erich

"I'm trying to get it straight across!" Erich calls over his shoulder. "I mean like the top part, not these dangling lights. Up here? Does this," he points at one bracket, "look like it's straight with this one? Say stop when it's straight."

The second bracket is free in his hand. He slides it very, very slowly down the wood.

Charlotte

Charlotte wants to ask why it has to be straight across, why isn't crooked okay, why - except, well. She is not genuinely a two year old and staring up at him, dark down here but bounded by a half-circle of light spilling from the front door to the tinyhouse, the neighborhood similarly framed by a rich depth of shadow and the bright, welcome glitter of lights on the eaves, trees and doors of the various houses, she watches him with rather bated breath and a small, queer smile on her face until -

"Theretherethere!" Charlotte calls out, excitedly, as the brackets match up, straight across. "Right there!"

Erich

Erich is facing the brackets when she calls like that, so she doesn't see him grin, amused, endeared, happy that she's so happy.

A solid stroke of the hammer knocks the little bracket into the wood. Then he tucks the string of lights over the bracket and just hops backwards off the ladder, hands sliding down the sides, feet hitting the snow with a muffled thump.

"Awesome. All done. Wanna wait 'til Melantha gets here to light it up and decorate the tree? We can set the tree up though." And this is when he notices she's not in any outerwear. "Aren't you freezing? Let's go in."

He throws a brotherly arm around her shoulders. They look a little alike, blond-and-blue. They look nothing alike. He's all meaty upper-midwestern germanic-descent posterboy, cut out for quarterbacking, linebacking, hockey. She's frail and feral, her shoulder bony against his side.

Charlotte

Charlotte is cold. Her nose is red and starting to run; supernatural constitution or not, the sharp cold has that effect on her as her sinuses are already starting to stream, and she stands there are stiff-armed and stiff-legged to stave off the shivers and is stiff shouldered as he throws that brotherly arm around his shoulders but they are close enough now, that she just bumps back against him, all animal affection. familiar and assured.

And she has grown taller. Hardly noticeable day to day but now she is taller than Melantha, a skinny stick of a creature, bird-boned and gleaming-eyed.

"We should light it up now," Charlotte says, considering his work from way down here before she allows him to steer the both of them back inside. " - so that she get to see them all lit up in the darkness, welcoming her home. But we'll wait for her to get home to decorate the tree."

They haven't far to go, to get inside, and Charlotte turns back to pull the front door closed behind them, and inhales deeply. Gives him a sidelong look that might seem sly, except she does seem merely happy.

"The cookies smell good."

No they don't. They smell like they're burning.

But maybe that's just the bottoms.

Erich

"Oh that's an awesome idea. But we should totally wait until she's back to go out and look at the lights outside, 'cause then we can see them with her."

Charlotte closes the door. The air smells like cookies. Erich grins happily, agreeing: "That does smell goo-- wait. No. That smells like burning. SHIT."

-- and he goes to yank the door open on their tiny little oven, fanning the smoke away frantically as he grapples for the oven mitts. Fumbles with the little cookie tray. Gets the cookies out, holds them yelping hot hot hot while Charlotte moves the cutting board off the burners so Erich can set them down there, where

after a moment's inspection

they determine that yes, indeed, the cookies are burnt. But only on the bottom.

"Well," says Erich, optimistic, "I'm sure we can just scrape the tops off and eat them. It'll be a little weird but it'll still be good. You ever had gingerbread cookies before?" He's genuinely not sure. He doesn't trust her ultra-privileged upbringing to have exposed her to such mundane delights.

Charlotte

"'Course I did." Charlotte returns, a quiet little scoff in her voice. All as if. The scoffing note mellows into something rather more quiet and rather more golden, a glowing and vague nostalgia. "We weren't supposed to go into the kitchens," she goes on, explaining then, " - but Cook would pretend not to notice and sometimes she'd save me stuff. Or one of the girls in the scullery. Sometimes I had gingerbread.

"I mean probably." Leans in to sniff then, as Erich examines the cookies and declares that they can just scrape off the burnt part. "When I was little and there was extra pie crust sometimes Cook would save it and give it to us to make shapes with, and we'd sprinkle them with sugar and cinnamon and she'd bake them and we called them scrappies. 'Cos they were made outta scraps, see.

"Phillip didn't like that though. She said it was common." Charlotte finishes with a shrug.

"Do we have icing? We oughta have sprinkles and icing."

Erich

"Yeah," Erich has already taken a spatula out and is hard at work scraping the edible parts of the cookies off the burnt-black parts, "in the fridge, and the little cupboard over the fridge."

A small pause.

"What's your family doing for the holidays?"

Charlotte

How they have room for both sprinkles and icing in the tinykitchen of a tinyhouse is a mystery, but Charlotte opens the cabinet door and Charlotte opens the fridge door and finds both sprinkles and icing and the sprinkles are red and green because the season is red and green, flame-marked and fir-huedand the icing is simply white and maybe it is simply that Erich thought of it and bought them especially to use to decorate cookies or maybe such things simply appear, in the places we need them, at the times we need them. Like some kind of serendipity.

So: sprinkles and icing are ferretted out as Erich scrapes off the burned bits and Charlotte stills a bit, glances from him to the second bottle of sprinkles (these are pink and heart-shaped so, not to seasonal, and they cannot have been here since last Valentine's day since the tinyhouse is younger than that, isn't it?) in her hand and back to him. Puzzlement written across her brow.

Then she shrugs, Charlotte, quick and jerky in Erich's peripheral vision. "I dunno. Maybe a big ball for the Sept. Or something I dunno.

"That's what they used to do."

Erich

It blows Erich's mind sometimes how different their families are. How different their lives were before their lives intertwined and began to run parallel to one another. Maybe that's a sort of serendipity too.

The bag of gumdrops that Erich takes down from a high shelf and plunks next to Charlotte for gingerbread decorations, though? That's totally something he bought 'cause he thought of it 'cause they're gingerbread cookies and that's what you do.

"Do you still talk to them? And your brother, and stuff?"

Charlotte

"I talk to Chas sometimes," returns Charlotte, quietly and not-quite-sulkily. There it something darting in her gaze though. A kind of livid wariness has entered her body language and her pale eyes dart from the gumdrops to Erich's profile to the gumdrops and back again. "Uh, you know. Still."

Erich

"Sometimes," Erich echoes, thoughtful. They are working together, more or less. He scrapes cookies off the cookie pan. She decorates them. The designs are vivid and fanciful and they make no sense at all, except maybe to Charlotte. Erich doesn't mind. He doesn't even mind that he won't really be able to eat these cookies. He made them for Charlotte, and for Melantha, the way Charlotte made them pigeon-beads.

"But not a lot?" He tries to keep his voice quiet, gentle; tries not to make Charlotte feel cornered. He doesn't think it's working, though. The cornered part, at least. "Why not?"

Charlotte

The designs are fanciful. Some of these are gingerbread people Erich cut out with the cookie cutter enclosed with the kit. Some are stranger pieces, occasionally identifiable given the original intent, but more often than not the cookies expanded with the cooking beyond the initial confines and cooked altogether to form what appear to be - in the end - rather fanciful brown blogs.

And Charlotte works quietly with her sprinkles and uses all of them, the Christmas ones and the hearts and the icing and she does have rather clever hands and the designs that started as bare, wintershorn branches or doughy portraits of small birds all fluffed against the cold darting daintily over the surface of a deep-packed snow have become blobby not because she is uncareful or imprecise but rather because she did not understand the way dough expands and spreads in the oven.

The work is slower now though, and Charlotte is bent over it all furrowed and thoughtful and frowning and, yes, uncomfortable. Pricklingly so.

"I dunno," Charlotte murmurs at first, her shoulders twisting in a quick and - yes, defensive - little shrug. "He's doing other stuff now and I dunno what it is. And I'm doing other stuff too and he doesn't know what it is.

"That's all."

Erich

Erich gets the last half-burnt cookie off the pan and then puts the pan in the tinysink to soak. Hands free now, he dusts crumbs off, then folds his arms loosely over his chest as he turns to lean his lumbar back against the counter.

"Do you wanna maybe ... visit D.C. sometime? And see your brother? We could take a Christmas roadtrip. I bet Melantha wouldn't mind. I bet her boss would even give her time off. If she doesn't I could just go talk to her." Beat. Then, slightly mortified: "I mean. With a Gift. Not... beat her up."

Charlotte

Charlotte quickly shakes her head, close-cropped blonde-and-pink hair going all fly away in the dry heat. Wild from static electricity.

"We can't leave the Sept," the girl says, solemnly. Owlishly, and Erich knows its true.

Charlotte does not mean Forgotten Questions.

Erich

He knows it's true. He knows that really, Melantha probably couldn't get time off work either. Not that much time. Not enough time to cross most of the United States west-to-east and east-to-west again, plus time in D.C. with Charlotte's brother. Not when she just started a couple months ago, if that.

Still, he looks a little crestfallen. He angles his gaze down toward his toes for a moment, bare on the wood floor. They always leave their shoes by the door because there's so little space that whatever muck gets tracked in here eventually ends up in their beds. After a moment he raises his head and says, "Well, maybe we can have Chaz visit you out here. I'm sure he'd wanna see you again.

"I mean. If you wanna see him again. Do you?"

Charlotte

"'Course."

There is an undercurrent of deep and quiet passion in Charlotte's voice. She's not really looking at Erich then, not even sidelong, so she doesn't quite catch the moment when his crest falls, does she, and there's something a bit awkward about being joined both spiritually and in such physical proximity and still not looking directly at each other. Or well, Charlotte is the only one who is not looking directly anywhere, isn't she? And she has stopped what she's doing (which is decorating hte mid-section of one of the gingerbread people to look like a spiral-armed green sugar galaxy dotted by giant floating pink hearts) so she doesn't even have that my hands are full excuse.

"He's my brother."

Erich

"Well, let's invite him out here then! And I'll invite my sister out too. She's in college now so she can go wherever she wants, she doesn't even have to tell the rest of the family. And maybe Melantha can invite someone too and it'll be awesome."

This is how Erich thinks. Or: this is how Erich wants to think. He wants to think things are simple like this. That hurts can be paved over like potholes with a few little changes, a few easy fixes. He knows it's not true -- knows it better than most, maybe -- but he still wants to believe.

"You should call him and ask him if he wants to come out. Maybe after the holidays, if he has to go home to your parents instead."

Charlotte

Charlotte thinks what if he doesn't want to come and Charlotte says, "Okay," with spark of something that feels weird in her mouth. Neither ash nor flame, but something in the midst of combustion that makes her tongue tingle and what she says means more in this moment than what she thinks, because there is a mild spark of light in her eyes and a curling edge to her little half smile because what she thinks is that the worst thing would be okay too.

Because she's here.

"Maybe I will call him."

The sink is full of scraped-off burned cookie-bits and the air is full of that Christmas scent, piney-boughs and sweet spice and Charlotte is smiling one of her strange little smiles, like she's remembered a secret no one has ever known before.

"He can't stay here though. There's no room."

Erich

"Nah," Erich says, smiling across his shoulder at Charlotte while she decorates cookies and he chills out leaning against the counter waiting for Melantha to come home, "he could totally stay here."

It says something about Erich, what he says next. It says something about the sort of person he is, how generous and unselfish he is, how welcoming and eager and happy to have guests:

"I've got a queensized mattress. If he doesn't mind we can totally share a bed for a couple nights. And if my sister comes maybe she can squeeze in with you. If worst comes to worst, like if Melantha invites people too, I can always go sleep in the truck, or curl up on the floor in wolfskin.

"I wouldn't mind at all. But well, if Chaz would rather have his own room and his own bed, we can always park the tinyhouse behind a hotel or something. That'd work too."

Charlotte

Charlotte's hands are dusted with multicolored sugar crystals, and while she is really rather precise (if, ah, fanciful) in her cookie-decorating habits, the bright sugar is scattered all over the counter, her hands, her t-shirt and even her seams of her jeans. Tiny little particles are sticky in her hair, but given the moonlight and cotton candy color she maintains (with Kool-Aid, sometimes, and sometimes with Manic Panic dye) they seem almost deliberate. Decorate rather than accidental.

Strange to see so feral a creature engaged in something as thoroughly ordinary as decorating cookies. She is so spare and lean, her torso a parabolic arc, her arms long and elegant, defined by the solid bones of extraordinary breeding.

Charlotte loves this den. The closeness. The way their scents have mingled and permeated the wood. It is tinytiny and there is something in her that requires space, that wants to soar, but the child in her loves the neat little cubby of her bed, her window looking out into the dark wash of the piney woods near Evergreen filling with snow. She is biting her tongue with concentration as she works to dot her little galaxy-person with tiny pinprick points of changing light. Nebulae or starclusters, places where burning-things are born, and where they go to die.

Erich offers to share-his-space without a second thought, and he's smiling at her, leaning against the counter and watching her. He interrupts the sweep of light from one of the ceiling fixtures and cuts an oblong shadow across the room.

Charlotte looks back up at him, then. Shining eyes behind the sweep of pale blond lashes.

"Your sister's welcome to sleep with me. But I think Chaz would be happier with his own room. He can get a car and drive out here, too. Or rent a cabin or something. I don't wanna park in a hotel parking lot."

Erich

She's such an eldritch thing. Sometimes Charlotte doesn't quite seem real; seems half-spirit herself. Well, obviously they're all half-spirit, Erich's not dumb about that or anything, but: Charlotte seems that way more than the rest of them put together. Like maybe if you looked at her side-on she just wouldn't even be there, in that shape, or...

he's looking at her sort of side-on right now, though. He's smiling at her, and that smile widens when she looks back at him. "Awesome," he says, and straightens up. "We'll sorta kinda plan on it, then." Which means they won't plan at all, but will keep the possibility open in their minds. "But if it's just my sister she can probably just split my bed and then if Melantha invites someone she can share yours and, yeah. It'll work out.

"I'm gonna put the tree up," he adds. "Not decorate it! But just take it out of the box and put it together so it's ready to decorate."

Because of course they bought a reusable, not-real-live tree. Because of course they wouldn't chop down a tree, end its life, for the sake of a holiday. They couldn't really afford to be so wasteful, and even if they could -- they wouldn't.

"I'm glad," he adds, a little later, when he's dragging the box to that small semi-open space next to the kitchen sink and cutting the tape, "that you're gonna maybe invite your brother over. Families should get to see each other once in a while, even if they're far away."

Melantha

For what it is worth:

Melantha would be horrified if they cut down a tree, unless it was a little thing that fell down on its own. It's like I don't even KNOW you anymore, she'd say, or her eyes would say it for her. Melantha would agree that Erich's sister should come and she would be vaguely worried about Charlotte's brother because she got a strange weird vibe from him and she never realized it but it was because he was like looking into the past of the sort of men she destroyed and seeing who they were when they were in their twenties and not their forties or fifties, and she would sense better than Erich that Charlotte is worried that her brother wouldn't even want to come and she would be worried for Charlotte and worried about what Erich's sister is like because even though she's concerned with what this important person means to Erich and what she might think of Melantha, Melantha is even more worried about what she'll think about her, because outside of the tribe and outside of Charlotte, almost every female relationship she's encountered has been one of combative deception, aloof and inauthentic and suspicious and vengeful right from the start.

Melantha is, wherever she goes, one of the smartest people in the room. And her mind is bored so easily, runs a million miles a minute without trying. To say that Melantha 'overthinks' is one way of putting, though that's less flattering than something about having played every possible chess game to its last moves before she ever touches a piece. That makes it sound way cooler than it is, to hold so many possibilities in mind and have nothing, really, that challenges that sort of brainpower.

So she worries a lot. It's something for her brain to do, tricking itself into thinking its being productive.

--

Tonight, Melantha comes home late, and it is not footsteps crunching their way towards the door tonight but the sound of an engine. Not the truck, obviously, that's been parked where it was when she took off on foot to the saloon. But an engine nonetheless, and maybe for once she allowed a coworker to give her a ride, but that would be so unlike her, she doesn't want to share the location of their little mobile den even with people she likes at work, and then the engine cuts off.

She comes up to the door, stamping her shoes off on the porch, and swings it open and the inside smells like cookies that are slightly burnt and smells like icing and smells like Other Winter Things, and her cheeks are pink and she has no idea they are discussing anything about where to stash people who are invited for the holidays, and she looks triumphant. Her eyes are bright with exhilaration.

"I bought a Jeep!" she declares.

Charlotte

The tinyhouse is small enough that the cold air blasts in all sharp and wild the minute Melantha opens the front door. Erich's going to open the box for the tree and he's telling Charlotte that they'll plan on things they might not really plan on and Erich's telling Charlotte about how important family is, how they should get to see each other, even when they're far away, and Charlotte's shooting him a strangely perception glance, which is sidelong and a bit poignant as he makes this declaration, and she looks far more human in that moment, put together from the snips and snails and sugar and spice that make up the core of us, beneath our skin and bones.

Meanwhile, there's the sound of an engine without, unusual enough that it pulls Charlotte's pale eyes from Erich to the front door, her head cocked animalisticly, her body tensing faintly through the shoulders, her mind reaching out without thought to brush against Melanthas. A wordless, nearly physical acknowledgment/query, like a wolf shouldering past its packmate, exchanging scents after a day's hunt.

That blast of bright, sharply cold air brings a tinge of pink to even Charlotte's cheeks, and Charlotte's hands are dusted with pink and green and purple sugar crystals, and tiny decorative candy pearls, and everything else from the cookie decorating kit she bought at one of those little boutiques down in Evergreen and Melantha looks so triumphant and excited that Charlotte almost natively and naturally assumes that she is bringing home a kill or something grand and there is something really rather quietly grand about the brightness in Melantha's eyes, the heralding swirl of wind-and-winter that backgrounds Melantha's entrance, enough that Charlotte throws up her arms and throws them around Melantha's neck. Hugs her, rather wildly, happy that Melantha is happy, for all that Charlotte does not care one whit about a Jeep.

"That's cool. We made cookies! They're a little burnt."

You know, reciprocity.

Melantha

[Melantha totally brought home a kill. She stalked the Jeep in the wilds of Evergreen. She harried its owner with her teeth and wit. And then she savaged it with cash money and dragged it back to her den and her pack to present them with THE GLORY OF HER TRIUMPH.]

Erich

The sound of an engine pulling up outside makes both Charlotte and Erich tense instinctively. Two blond heads swivel door-ward. Two pairs of blue eyes swing noise-ward. And then --

and then --

Melantha's presence becomes known to them. By her proximity, by her totem-bond, by the faint unmistakable spirit-smell of her purity coming up to the door. And Erich straightens up from where he's leaning, his arms pulling tight across his chest, a smile revving up across his face almost entirely without his notice or permission.

Melantha! says Erich-brain. Melantha Melantha Melantha Melantha Melantha Melantha Melantha Melantha Melantha Melantha Melantha until the door opens, until she's standing there smelling like the cold and the mountains and the trees and

her new Jeep.

HER NEW JEEP!

"No WAY," Erich bursts out, while Charlotte is hugging Melantha. He comes toward them, he restrains himself -- barely -- from group-hugging like a dumbass, and then of course he doesn't restrain himself after all and just squeezes them both half to death before moving past to look out the door. "Wow. That was really fast!" -- and he swings around, grinning at them.

Melantha

The response of their telepathic queries is the equivalent of a boop! on the nose in somewhat childish, delighted friendliness. It's Melantha, and Melantha isn't sobbing because there's so much blood and she's nearly dead and this guy is nearly dead and there's a dead thing outside, and Melantha isn't telling them to relax, she only called on Volcano's strength to lift a heavy thing at work, it's just Melantha coming home and saying hello.

Then saying she bought a Jeep. Which Charlotte could not care less about it, but Charlotte cares a lot about Melantha, so she doesn't have to look hard to see Melantha's vicious sort of pride in this, the happiness at surprising them, the fact that in a way this is bringing home a grand kill, one that she worked very long and hard for. She is hugged by Charlotte's skinny arms, then hugged by Erich's much thicker arms in addition, and she squeezes into the group hug for a moment, breathing in deeply.

"You just scrape the black parts off," Melantha says, which is odd, because this is not a memory from the commune of Black Furies nor one from her spy days, but a much older one. She nuzzles her nose into Charlotte's hair for a moment, then gives Erich a separate, brief-but-close hug, smiling warmly.

"Yes way," she insists, and: "It only cost like two thousand. Well. After registration and stuff. I talked him down a bit since no one is buying cars in December and since I had cash."

The Jeep outside is a dark green Grand Cherokee with gray trim. It is a hardy car, fit for the mountains, and could probably tow the tinyhouse if need be. Melantha is standing there in her coat, pink-cheeked, bright-eyed, smiling. "I thought we could use a second car. If only so I don't have to walk to work whenever you guys are in Denver with the truck, or stuff like that."

Charlotte

There are other reasons they should have a second car, one bright in recent memory. What if Melantha had not been a twenty-minute run through the umbra but farther away, with their only truck and what if it had been Melantha bleeding out instead of a strange and what if -

Charlotte inhales Melantha's scent, which is both familiar and heady, and which makes the girl close her eyes with a deep, abiding, primal pleasure, giving one last squeeze after Erich glomps on, then letting go. The door's open, that bright chill in the air, and Charlotte peers past Melantha's shoulders, past Erich at the open door, catching a glimpse of the Jeep in the darkness, then back to Melantha.

"Erich scraped them. I was decorating. But we have a few more if you want to decorate, too. We still have all the sprinkle colors left except pink and plum,"

and, indeed, pink and plum are the most prominent colors or Charlotte's cleverly and rather oddly decorated gingerbread people.

"Oh! I made you some gourds, okay. I put them in your loft."

Erich

"We put lights up too," Erich says, looking out the door at the newJeep while he stomps into his shoes, and then he's hopping down the porch and going to circle the car and kick the tires and brush snow off the sparetire on the back. "You saw them right? We lit them up so you'd see them coming home. And we're about to put the tree up and I think we can put some lights up inside too and, yeah.

"CHRISTMAS.

"This car's awesome," he adds, turning around, coming back up the steps now. Taking them in a quick athletic bound, glomping Melantha up again and hugging-swaying her. "Aweeeesome."

Melantha

No one mentions the Other Reasons. It's not necessary, and since they aren't the only reasons, even less so. Melantha just smiles, hugging and hugged, still in her outerwear which is good because Erich is leaving the front door wide open, jeezus, erich. He's bounding around but Melantha stays just so, nuzzling Charlotte a little, squeezing her back with a tightness and familiarity that the two have that is different, very different, from the physical closeness that Melantha and Erich have.

She notices sometimes that Erich and Charlotte aren't that physical with each other. Not in homid, at least. She wonders how much of it is the sibling-esque nature of their relationship and how much of it is Charlotte's sometimes jangling, clanging tension, and how much of it is stuff she can't even guess at. She and Charlotte draw apart easily, painlessly, Melantha looking past her pink hair at the sprinkled and frosted cookies, smiling.

"I totally want to decorate, too. And --"

gourds.

Melantha's lips spread with a smile. "Thank you, Charlotte," she says, leaning over to kiss the Fang's temple through her downy, pale, dyed hair. "I'll keep one on me from now on." Maybe two. They're small, after all. She can fit them in her coat pockets or a bag easily enough. And Melantha is practical, and Melantha really hates blood, and she's not keen on dying or watching anyone die around her anytime soon.

--

Lights!

He is outside. Melantha pokes her head out of the door, which doesn't require much movement due to the size of their den, and watches Erich kick and stomp and peer and inspect. She half expects him to start sniffing at the thing, shifting to lupus and wagging his tail. It makes her smile. "I did see the lights," she tells him, since they are currently shining not far from her face. "We should do more inside. And candles."

CHRISTMAS.

Melantha just laughs, a clear and clean sound that defies the muffling silence of a snow-packed ground. It's not so snowy down in the metro area, it couldn't be. But up here, even with the daily sunlight, there's white powder on the ground.

He bounds back, and she steps into the house so there's room for him, and he's hugging her and swaying and he is so gleeful and she just wiggles her arm free to shut the door because cold. She hugs him back, though, squeezing him as tightly as she held Charlotte just moments before, her eyes closing for a moment as her face rests on his chest. She's full of odd little memories, and they're good but a little poignant and every time one comes up, she tightens her hold a little more on one of her packmates.

"Do you guys... wanna do like... Christmas gifts?" she asks, thinking of the tree.

Charlotte

Charlotte. Well, Charlotte beams. Bends into the whisper of Melantha's mouth over her temple, like a willow maybe, or a reed. Pliable, see? And slender. And strangely strong.

Her pale eyes shine with pleasure and happiness and contentment, the animal sort of contentment that comes from a full belly and a warm den and strength and purpose in the world. The sort that seems so far from possible when her madness takes her; seizes her, harrows her, wraps her up in the paralyzing echo chamber of her own mind.

Mmm.

Charlotte inhales again, both as Melantha leans in close and as she draws back, turning - Lights! - back toward the buffeting of cold wind pushing through the open door because - jeezus Erich - Charlotte is not wearing her coat. Though she also does not seem to mind. She just hums beneath her breath, finishes with her current cookie, glances over the others pleased that she saved some for Melantha, probably at Erich's suggestion, and then dusts the little crystals of dyed sugar off her hands, onto the thighs of her jeans.

Watching them as Erich scoops Melantha up into his arms, swaying, gleeful, with her breath in the back of her throat and a stray and animal thought that they should have the chance to be alone, shouldn't they, in their den. To -

- well, her breath doesn't go farther than that and Charlotte folds the thought into a half-hundred others, neatly in some space in the back of her mind. Her pale eyes track easily from packmate to packmate and her fey little smile comes easily as well. Charlotte does not like the artificial tree. Not that she wanted to cut one down so much as dig one up and invite it inside in a little pot, on their little table, but how could you manage it in the frozen ground, without chewing up the roots and shocking the tree with the story of its own kidnapping.

So they will have an artificial tree, and real greens from limbs that feel to the ground under the weight of an early snow, the scent of pine all sharp and cutting-bright in the air. And candles, and gingerbread star-people.

Melantha asks if they want to do Christmas presents.

Charlotte gives Melantha a curling shrug and a simmering, quiet little smile.

"I have everything I need right here."

Erich

It's hardly Charlotte's fault that she feels just a little sidelined when Erich embraces Melantha like that. Just a little extraneous, just a little third wheel. She, after all, was born to a human body just like they were. She was born in human society, inundated by human culture, and the culture of the late twentieth and early twenty-first century seems about as obsessed with sex and love and the all-important male-female pair-bond as Victorian culture was obsessed with propriety.

Erich disentangles from Melantha, though, and shakes his head. "Aw, yeah, we all do," he says, "but I think presents don't have to be about what you need. It can be about -- "

and, children of the late twentieth and early twenty-first century that they are, no one could blame them if they expect him to say what you want, greedgreedgreedgreedGREEDGREEDGREED! That's not what he says, though:

" -- taking the time to think about each other, and to find or make things that your friends would like. And vice versa! So yeah, I totally vote we do presents."

Melantha

Well, Melantha is the sole breadwinner in this household, and she just dropped a couple of grand on a car, and that sounds like a no1curr and a yeah kinda! to her. She is huffing a laugh as she is brought into those heavy arms, before the squeeze and gentle shut of her eyes. She does not notice Charlotte's unvoiced thoughts, Charlotte's unfollowed trails. She draws away from Erich after the long hug, butting her forehead on his bicep like an affectionate animal, and starts shedding layers.

"You already got me presents," Melantha tells Charlotte, meaning the talens. "And you and Erich made me cookies, too." She is hanging things, shucking snowy boots, shaking out her thick hair that is so shockingly dark, especially when compared to Charlotte's almost-white and Erich's bleached-wheat. "I'm not great at making stuff, though. I mean. Stuff you'd want," she explains. "I just know survival stuff."

Charlotte

Charlotte gives a rather shy, narrow-shouldered shrug as Melantha defines the talens and cookies as presents. Then flashes a quicksilver little smile with a mulish sort of curl to it near the end. On someone who was decidedly not Charlotte that half-smile would verge on the sly, but Charlotte is Charlotte and there is nothing sly about the creature sharing the tiny space with them. Who ducks behind Erich to shut the door if no one else has.

"They're not all for you," Charlotte is saying as she slips behind the pair of them because she is wearing short sleeves and is FREEZING to shut the door. "Erich and I are gonna eat some too. And I'm saving some for the birds and some for the fish that get frozen in the lakes. Do you think they dream of stuff when they're stuck in the ice? Anyway you brought us home a Jeep-thing.

"We should do presents though," Charlotte has now decided, "and it doesn't have to be something you make or something you buy. It can be something you know or something you remembered or something you forgot you knew. Or something that made you smile, or made you sad, or made you both.

"Wrapped up in pretty paper or plain paper or nothing at all. Beneath the tree or in its arms. Did I show you my skull?"

Erich

"Yeah," Erich chimes in, "it doesn't have to be something you can touch. That's an awesome idea. It can just be ... anything at all, that you want to share or give or, yeah. Okay, Charlotte totally said it better than me. But dude, Melantha, if you wanna teach me how to start a fire with my bare hands, I'm all for it. I can, uh. Teach you how to fake-fart with the crook of your elbow?

"Also," speaking of skulls, "maybe you can have Chaz bring you your spine if/when he visits."

Melantha

"Well... you made them for each other, too," Melantha says, regarding the cookies, and how they can be presents for everyone. "I don't know if birds and fish like gingerbread, though. Maybe they dream about berries and seeds and... types of algae."

She shrugs, finally down to jeans socks and and sweatshirt and the sweatshirt is dark blue with a wide neck and the face of a fox on the front. A fox wearing a scarf. She climbs over a chair and listens to Charlotte, turning her head to listen, as she makes her way to the couch which is where she likes to have cereal after she works. "I did bring home a Jeep," she confirms, which is a gift to all of them mostly herself. "I haven't done presents and Christmas in a long time. Not with... you know. Not-horrible people, and that was never really on Christmas."

You don't spend Christmas with the girl you're fucking on the side. Maybe a few days after Christmas. Never the day-of.

"What skull?" she asks, getting down a bowl and the cereal, which is a generic version of Cinnamon Toast Crunch. And to Erich, as she opens up the tiny fridge to get out the little quart of milk which is the only kind of jug they can buy so they usually get a few quarts at a time: "I'm okay with no presents." It's not diffident, it's not distant; she just is. As she pours her cereal, as she pours her milk: "I don't mean to sound... like a wet blanket, or a sap or anything. It's just that I feel that way people seem to feel when they get Christmas presents whenever I come up to the tiny house. I don't really want anything." There's a beat, as she shuts the milk back into the fridge, looking at her bowl. "Also I really have no idea what I'd give to either of you."

Erich

Erich's figurative ears sort of droop when Melantha says she hasn't done presents and Christmas with not-horrible people in a long time. They droop a bit more when she says she doesn't want to do presents this year either, but then

he perks again. Because she says she feels like Christmas every time she comes home. Which means! Tinyhouse was like a Christmas present every day. Which is pretty awesome.

She pours her milk. He snuck a hand into the fridge as she got those quarts out and now he has a can of Sprite, which he pop-hisses open and slurps from. "Well," he bargains, "if it's okay with the two of you I'm gonna get you guys something. Just 'cause Melantha's given us friendship bracelets and Charlotte's given us pigeon-beads. I wanna get you guys something you can carry around! It's only fair.

"We don't have to make a big production of it, though. And, yeah! What's this about skulls? Sorry, I just jumped straight to your spine."

[I AM JUMPING ORDER JUST THIS ONCE]

Charlotte

"That's why we wrapped it up in lights." Charlotte returns, when Melantha tells them that coming home to the tinyhouse is like a Christmas present every day. The thought makes her smile: all of it. Makes her hum, too, with the sort of unstudied harmony of overtones, the strange echoes of other notes folded into the intonation of a single sound. Hum in her body more than her throat, and smile around that feeling, which is bright and correct and solid. Which makes her feel like her feet are touching the earth always, always, no matter where she is.

Charlotte grabs one of the iced gingerbread people for herself but leaves the icing and sparkles for Melantha and Erich to finish decorating the remainder of the batch, if they are so inclined, and is biting off the arm of the gingerbread person first and about to tuck herself onto the couch, pretty clearly accepting of both Melantha's and Erich's preferences regarding presents and Christmas and every layer of awareness between them. Except she does interject,

"You had to break the beads. Melanthan can't hear the pigeons or even see them now." Musing. "Maybe I'll make new ones."

before the subject turns back on itself to that of her skull.

Oh, Charlotte beams. Stuffs the remainder of her gingerbread person solidly into her mouth and CHEWS CHEWS CHEWS because her mother would perhaps be willing to committ murder to keep her children from speaking with their mouths full and swallows in a dry and rather painful rush, perking - "Avery gave it to me. In a really pretty pink and silver box. It's awesome."

Pinkening with warm pleasure and a sort of sudden self-consciousness at the memory, Charlotte slips into her little bunk of a room to retrieve the skull and show them both. Gives Erich a quick glance and a small shrug, and tells him in a quiet voice, "Avery told a story about it at a moot last summer. The guy she killed."

Charlotte

[CORRECTION:

Pinkening with warm pleasure and a sort of sudden self-consciousness at the memory, Charlotte slips into her little bunk of a room to retrieve the skull and show them both. Gives Erich a quick glance and a small shrug, and tells him in a quiet voice, "Tamsin and that guy in her pack - Hector? - told a story about it at a moot last summer." ]

Melantha

"Yeah," Melantha is echoing. "I had to break mine so it would go find you. What pigeon spirits?" She blinks.

Skull.

This is what they talk about in the day before Christmas: fish frozen in lakes, gingerbread, skulls and spines. Avery gave Charlotte a skull in a pretty pink and silver box and it's awesome and Melantha's eyebrows hop up in something between bemusement and actual surprise and actual hilarity. She's heard about Avery from both of them. She just smiles for Charlotte, coming over to the couch to eat her cereal. "She gave you her trophy?"

Erich

"Oh, dude. She gave you the skull? You were the awesome Theurge she was thinking of! Oh man. That's awesome." And Erich, taking up the station Charlotte abandoned, starts to decorate the cookies. Well, no: first he takes a cookie and slathers it in frosting and sprinkles it with sprinkles and just NOMFS IT. And keeps talking, too, while decorating and full-mouthed and all:

"You totally deserve it though. You're like the best Theurge I know. Granted I don't really know that many, not well, but still. Yeah.

"Aw, man," sudden guilt then, "I never told you about the pigeons, Melantha? After you broke the bead! Your pigeon came to find us. And then our pigeon found you. And like, after all that time with us, they kinda turned into our friends. Yours especially. Like pretty much every time I'm in the Umbra now, it comes find me. Sometimes I see the one we had in our bead too, but that one kinda comes and goes. Aw, I wonder if we could teach the pigeon-spirit to materialize so you could meet her. I mean, you kind of already have, but. Yeah."

Charlotte

While Erich is nomfing the poor really-not-even-decorated-just-slathered gingerbread cookie, Charlotte nods quiet affirmation in response to Melantha's question and slips into her little room to find the skull. Which she has kept wrapped in its lovely box in a corner of her bed. Which is a little bit creepy but there's not a whole separate wing of the tinyhouse in which to display their trophies so what happens is: the lovely, lovely hatbox gets carted out and perhaps Melantha and Erich noticed it and thought it was something Charlotte collected or curated or maybe it was the conveyance of a family present or god knows what, but: instead of a lovely, lovely hat, Charlotte pulls out a human skull!

- and Charlotte is beaming, showing it off to both Erich and Melantha, blushing more deeply when Erich recognizes the story, and even more deeply when he says that she is the best theurge he knows and not really talking until the speculation turns back 'round to the pigeon spirits.

"The one that was in your bead, it loves Erich and me 'cos it remembers us. It has everything that was in your heart when you were missing us. Erich's mostly loves you so it doesn't stay as much, but they're a pair. So they also love each other.

"If I can't get them to materialize, I'll take you to see them someday."

With a blithe sort of confidence that Charlotte rarely displays. Then, having shown off her skull she heads back into her bedroom to put it away.

Melantha

Melantha bounces her eyes back and forth a few times as Erich is expressing his pleasure and obvious pride that Avery, who he and Charlotte talk about with wee stars in their eyes sometimes, Avery gave Charlotte this skull and she is this awesome Theurge and Melantha grins even though she doesn't know Avery, because she does know Charlotte. Charlotte is an awesome Theurge. Charlotte is an awesome Charlotte. And she leans over, bumping her head against her bestfriendsister's shoulder just before she goes off to get the skull.

There's no blood. Melantha doesn't freak out at the sight of the bone. She looks curious, chewing her cereal as Charlotte turns it around, showing them the scraped-clean, bleached-out trophy. She has some understanding, however distant, of the meaning of such a gift: that it was specifically for a Theurge, that a head is one of the best trophies you can take, that it was a strange sort of blessing from one wolf to another. It's something royal and something savage all at once, and it doesn't really matter because Charlotte looks so proud.

The beads. The pigeons.

"You may have," she says to Erich's guilt, soothingly. He tells her, though, that her pigeon especially stuck around. Was friendly. Finds him time and again whenever he steps over, and the other flies around, coming and going as it will. And Charlotte adds:

it loves Erich and me.

it has everything that was in your heart when you were missing us.

Now Melantha blushes, though less deeply, when Charlotte says that Erich's pigeon mostly loves her, so it doesn't stay as much because Melantha can't see it, can't talk to it or coo back to it or cross over to stroke its little head. But they're a pair. They love each other. She skates her eyes to Erich for a moment, color still in her cheeks, but then she's back to her cereal and back to Charlotte and smiling, smiling because apparently she loves the two of them enough that it altered the very will of a spirit. Two spirits. Even if they are just pigeons.

And notice this: Melantha knows what sort of Theurge can take non-garou into the umbra with them. She knows they're powerful. She knows they're older. Revered. And Charlotte just says, offhand, that she's going to do it someday. NBD. She goes back into her bedroom to put the skull back into its pink and silver hatbox, and Melantha takes that moment to share a silent Look with Erich, eyebrows raised.

She also finishes chewing her cereal and leans over to kiss him, quickly and softly, tasting of cinnamon and milk. It is a stolen kiss, like they're even younger than they are. He tastes like gingerbread and frosting, which thankfully overpowers the Sprite.

--

Melantha dips a bare gingerbread person into her cinnamon-y milk before slurping it all out of the bowl. She decorates with red and white and gold sparkles, surprisingly meticulous about it, even though most of the cookies just go straight into someone's (Erich's) mouth.

They get out playing cards and she teaches them to play Spoons if they don't already know. Then Bullshit, if they don't already know. With the lights and the fallen boughs and the gingerbread and the fire in the little fireplace. There's not much more talk of gifts, of things to wrap or things to give that they don't already give each other every day. Maybe there's an ache there: Christmases past, spent with loved ones who didn't understand or loved ones who are lost or loved ones who sent you away. Melantha thinks this, knows this, and is glad they create their own sort of holiday together. Something new.

She leans her head on Charlotte's shoulder and they tell her about maybe having Chaz come, and maybe Erich's sister, and Melantha likes these ideas but it's obvious there's no one for her to call to come for Christmas, and it aches the way many things ache for her now, but she wants to meet Erich's sister. She says that Chaz can come, too.

As usual, it's Melantha who gets tired first. It's because her schedule is so set. It's because she actually works quite hard at her job. It's because she doesn't have rage burning up her insides like a fire, driving her on and on and on. She drapes her head on one shoulder or another until the tinyhouse starts to settle down for the night: cookies covered. Lights lowered. Fire put out. Teeth brushed, dishes washed or at least set in the sink for later.

That night she sleeps in Erich's loft. Because of the ache, and because of the pigeons. When she sleeps, she dreams that they're both birds, and Charlotte is the only one who speaks their language. They land on her hands and Charlotte turns into a wolf and Melantha into wind and Erich into a storm, and they are still the only ones who speak each other's language.

Sunday, December 22, 2013

baby ghost!

only the wind.

Dustin Redd was five years old the day he drowned in Ferrel Lake. He was at day camp. It was June, 1996. Officials rushed to name the playground at City Park after him, and the name has stuck. People have forgotten the controversy over that naming, a rushed affair that even the boy's family was not in favor of. Playgrounds are not normally named for dead children. It's been over seventeen years, though, and the playground is a bit broken-down, the wooden structures faltering, and the city is currently planning some grand loop as a replacement, and that's a whole new controversy for the citizens in Park Hill.

The playground doesn't notice, or mind, or care. After dark, in winter, it sits ignored and idle, the wood sometimes creaking. The night is breezeless, still, frozen. It is cold. Not cold enough for the nearby Duck Lake to be frozen over, but cold enough that even during the day no one was out here playing. They stayed inside DMNS. They maybe traversed the trails of the zoo. Children came and begged but quickly grew overly chilled and wanted to go home.

The playground's namesake would be in his early twenties now, finishing college, had he survived day camp. Most kids who play here don't realize the playground even has a name.

The chains of one swing creak, softly, back and forth. The others do not move.

Erich Reinhardt

Erich likes City Park now. He likes DMNS. He looks at it sometimes when he passes nearby, thinking of that IMAX theater, thinking of its exhibitions and displays. Sometimes he wonders if some of them, like the wardrobe in C.S. Lewis's stories, hide portals to other worlds. Maybe he could go back in time and see dinosaurs.

He's not breaking into DMNS to look for dinosaurs, though. He's nearby, at that playground that he doesn't realize is named, much less named after a dead boy who would be about as old as he is now. He is too big for the sandbox animal rides, the tigers and the lions and the horses and the seals. The merry-go-round -- just a squeaky plate of steel with handles atop -- always made him dizzy. He always did like climbing stuff, though.

So it's the jungle gym for him. He's up on top of it, perched way up high where he has a nice view of everything all around. Not that he's looking at any of it. He has his phone out. He's smiling, the tiny screen lighting his face up. And his gloves are off and he's texting someone,

(probably Melantha,)

some combination of acronyms and smiley faces and less-than-threes.

Sam Evans

The year is winding to a close, and while most businesses are slowing to a lumbering, stumbling gait toward a week or two of semi-hibernation, many tech industries are just getting started. The company Sam Evans works for just landed two new accounts, which means new deadlines, long hours, and a kind if a bit worn out Bone Gnawer childcare worker being asked to work later on a Sunday.

The Glass Walker kinswoman's night has been made even longer by the fact her vehicle's in the shop and she's forced to take public transportation to get from where she was to home. She's cutting through the park, trying to get from one corner to the other as quickly as her legs will carry her, hands in the pockets of her olive green coat, chin down, bag bouncing against her left hip. Mortal women would be concerned about cutting through empty parks late at night, worried about the predators that could be lurking in the shadows. Sam Evans is concerned about those things, too, but for entirely different reasons. She just wants to get home to her son and god she could do without the distraction of a mugger thinking she looks like a pretty sweet mark.

A shadow moves at the playground that causes her steps to slow just a little. Something on top of the jungle gym. It's the light from the phone that gives Erich away and ultimately makes Sam think he's less of the threat that he actually is. The unknown figure is obviously distracted. Picking up the pace again, Sam hurries on.

Sam Evans

[shit! nightmares!]

Dice: 7 d10 TN7 (1, 1, 2, 3, 6, 7, 10) ( success x 2 )

only the wind.

[per/alert rolls please]

Erich Reinhardt

Dice: 4 d10 TN6 (1, 3, 7, 8) ( success x 2 )

Sam Evans

[percept+alert]

Dice: 7 d10 TN6 (1, 1, 2, 5, 5, 6, 9) ( success x 2 )

only the wind.

[There are 3 swings. It is a windless night. One of the swings is moving.]

Erich Reinhardt

Every so often Erich does look up from his texts. A hunter's natural awareness, maybe, or just a young man occasionally surfacing from texting his maybesortagirlfriend to smile at the whole world because if he keeps smiling at those texts he's going to just implode from the happy. Anyway, it's in one of those brief look-ups that he notices,

hmmm,

one of the swings is moving. Which is weird. But maybe not catastrophic; it could be just. The wind. Or something. Okay maybe not. Yeah, that is weird. Erich pauses a moment. Then he taps a quick message:

brb i gotta check something out kinda weird, talk to you on totemphone if something's up k?

And then there is a less-than-three. And then he tucks the phone into his back pocket and puts his gloves on and pushes off with his hands and drops, nimbly, agilely, rather silently, to the playground sand below.

He's still relaxed. He walks on over to the swing and he puts out a gloved hand out, ever-so-gently touching the rubber seat of the swing to bring it to a stop.

Sam Evans

Sam is moving like to get the hell out of here and to the next bus stop quick as she can get there, but she notices things. And she knows, has learned, was taught to pay attention and listen to her instincts. And her instincts are pointing out that while that swing could be being pushed by the wind, the other two are not. Nothing tugs and pulls at the long dark hair that spills out from beneath a blue knit beanie. There is no sharp bite that drags over her cheeks.

That is not the wind that's doing that.

Unlike Erich, Sam does not reach out to someone else, because there aren't others, really. There are Garou that check in with her from time to time to make sure her adopted son's supposed birth-father hasn't busted down her door looking for his kid, but it's not like Vermont with her family always closeby. It's not like rural Virginia or even DC. Her left hand pulls free of her pocket but her phone remains tucked away. Sam merely wraps gloved fingers around the strap of her bag, holding it close.

She doesn't think it's the best idea to go poking at weirdly swinging swingsets, but then Sam is a rather pragmatic sort. Better that tall burly stranger than herself, right?

only the wind.

Denver is a safe place. Really, it is: compared with places like Detroit and Oakland and Chicago and New York it is positively Pleasantville. That doesn't mean bad things don't happen here. Sam's son is the result of bad things happening. Erich is sometimes the bad thing happening. They both represent the good things that bad things can be turned into, though; Erich is not always in frenzy, Erich is not always soaked in the blood of his enemies. Sam's son is too young to be told of how his father raped his mother, how no one is quite sure who his father is exactly but hopefully he's dead or will be before Sam's son is old enough to ask, how his genetics come from some of the worst creatures to ever walk the earth. Maybe he'll never know, never be told, where he really comes from. For now it is his job to grin as he shits his diaper and bounce excitedly in his babysitter's arms when his mom shows up to get him.

The smiley faces and less-than-threes: good things.

The almost-toddler putting his head on his mom's shoulder adoringly: a good thing.

Swings that move of their own accord: probably not good things.

--

Erich hops down, and touches the seat to bring it to a stop. The chains quiver; the seat feels warm. And from the nearby trees, the barren bushes, there is a low noise, not quite a growl but close enough.

An unseen hand touches Erich's hand.

A voice on the air, uncarried by wind, whispers tremulously to both Erich and Sam's ears.

help me

--

From the underbrush, another growl.

Erich Reinhardt

Okay that's weird. The seat is warm. Erich's brain, which is not stupid by a long shot but isn't quite the whipcrack of Melantha's or even the eldritch pattern-seeker of Charlotte's, is still trying to process this when SOMETHING HE DOES NOT SEE TOUCHES HIS HAND.

"YAAAAAAAGH!"

Brave and ferocious, those Fenrir. Implacable and dreadful, those Shadow Lords. That's the stock, genetic and spiritual, Erich hails from. And what does he do with it? He screams like a pig being slaughtered when a ghost spooks him. He jumps like a foot, straight up into the air, and comes down rigid and eyes-wide and jerking his hand back and looking wildly around

while something growls in the bushes.

"YAGH." This isn't so much a scream as just a verbal shudder. "Are you a ghost? Holy CRAP. I've never met a ghost before. I didn't think they were real. Which is stupid 'cause I'm a werewolf and I've met vampires. Um, more like eaten their heads. But anyway.

"Dude. Seriously. If you're a ghost, please just talk to people instead of reaching out and touching them. That's really rude and really creepy. And also sort of poltergeist-y. Jesus. Okay. Lemme get my heart to stop hammering before I ask: what do you need help with, anyway?"

Sam Evans

Sam does not know the story of this park, or the little boy for whom it's named. She doesn't know much about ghosts or the spirit world, either. What she knows is that tug in her stomach when someone asks for help, cries for help, begs for help. It's different than the pang of fear she's felt sometimes when hanging out with Ahrouns. No, this tug she feels when a tiny small voice of an invisible speaker says "help me" is the one that told her to stop looking for exits where there are none and do the only thing you can - hug the Spiral cub. Even though it means you're probably going to be dead in five minutes, maybe less.

Sam does not walk forward completely unprepared. She realizes she's coming up on someone bleeding Rage who hasn't noticed her presence, and so she's careful to scuff her sneaker on the pavement once. This, as she's reaching into her bag to pull out a pistol, and its clip, and sink the ammo into place with a click.

When she's close enough to recognize who that young man is, Sam can't help a small smile. It's genuine, but strained. She's seen Erich maybe three times total, and two of those times were decidedly Not Good. If she were the betting type, she'd wager this is about to be another mark in the Not Good category.

"Not a ghost," she says, forcing her voice to sound soothing, calming, gentle. For the ghostly voice, yes, but also for the spooked Garou. Because she really hoped she left all her panicky Shadow Lord Ahrouns behind in Virginia. "Promise."

"You hear that?" she asks, circling to put distance between herself and the growling bush.

only the wind.

That's the danger with kinfolk in situations that might turn sideways: they always have to reach for their weapon. Erich already has his. Erich is his. So kinfolk learn to prepare early: to load the gun when they see the bushes rustle, when they hear a strange noise at night. Kinfolk become parents who hold a gun in one hand when they go to check in on their little one at night. Kinfolk become used to high blood pressure, to surges of adrenaline, to battlefield stressors in everyday life. For some, it becomes so second nature you hardly even notice anymore.

She promises Erich this isn't a ghost, perhaps just to try and be calming. But in the meantime, she distances herself from the growl.

--

The touch on Erich's hand flinches away at his shriek. The swing jostles, then stills. He jabbers, and he wants to know what it needs help with, even though he doesn't know what 'it' is.

Invisible footsteps thud away from the swings over the woodchips, leaving brief dents. The footsteps are close together, the steps small. And then, quite suddenly, a spray of dust and chips of wood goes up from near the bushes, an unseen something launching out after that tiny runner.

They hear a sound like a scream that turns into a whistle on the air, easily ignored by anyone who isn't standing right there. A growl, a snarl, a guttural noise of satisfaction, of teeth-sinking-in, of

something being dragged back towards the brush, the woodchips spreading away from open dirt, a tiny voice begging again for help, help.

Near the bushes, Sam and Erich's attuned eyes see a glint. Two glints. Eyes staring balefully at them, golden-green and cruel. That snarl, muffled by whatever is held in its mouth, warning them off. Mine. This one is mine.

only the wind.

[nix the line about what sam promised erich!]

Erich Reinhardt

Aw, okay. Seeing those tiny little footsteps in the sand, Erich feels bad. It was a baby ghost! And it was probably more startled by him than he was by it. "Hey," he calls, trotting after it, "it's okay! I didn't mean to scold you!"

And then Sam, pulling up next to him. Did he hear that? Erich's mouth turns into a grimmer line. "Yeah," he says, "I definitely did -- hey! Baby ghost! Wait -- "

and then the snarls. And then the crunch. And then the low rumbling satisfied growl, the cries for help, the sound of a body dragged through undergrowth.

None of that is okay for Erich. None of that sits right with him. He doesn't think twice; he almost never does. "HEY," he shouts, and this time it's a bark, it's angry, it's a directive and an invective. "HEY. NO. STOP. I DON'T THINK SO."

And then he does what he does best: he charges that unknown Bad Thing in the bushes head on,

and turns into a Bad Thing himself.

Sam Evans

There is a part of Sam that thinks about things like nature and its laws and cycles. Predators need to eat and all of that.

But an invisible something asked for help. It is presumably that which runs, is caught, screams, is dragged away. She frowns, but she looks at Erich. As far as fighters go, he is always superior even in his birth form. He is twice her size, easy, and he can shift to something bigger, stronger, with sharp and dangerous natural weapons. If Erich wants to tell the tiny Kinfolk she should skidaddle on out of here, Sam is not the sort of Kinfolk who would argue.

He doesn't tell her to take off, well shit. She should go anyway, she knows she should go anyway, and for a fraction of a second the command from brain to legs to go go go begins to form.

Instead, Sam slips her gun into her pocket. Erich turns into a bad thing meant to take down other bad things. Sam tells herself that if something touched Erich and something Erich is about to rip to pieces can touch it, then maybe she can snatch it free and bolt for freedom.

Or she'll die caught in some big thing's jaws (Erich's or the Unknown's), but hey, isn't this the sort of thing Samantha Evans is known to do?

only the wind.

[INITS]

Sam Evans

[+6]

Dice: 1 d10 TN6 (2) ( fail )

Erich Reinhardt

[+9!]

Dice: 1 d10 TN6 (10) ( success x 1 )

only the wind.

[Baby Ghost +2]

Dice: 1 d10 TN6 (1) ( fail )

only the wind.

[Child Catcher +8]

Dice: 1 d10 TN6 (5) ( fail )

only the wind.

[Init Order:

Erich

Catcher

Sam

Baby

Declare in reverse!]

only the wind.

Baby

1: Try to flee!

Sam Evans

[1. snatch dat baby!]

only the wind.

Catcher

Sorry.

It's invisible.

YOU DON'T KNOW.

Erich Reinhardt

1. Spur Claws, using sound and glow-y eyes to guesstimate at location!

R1. Shoulder-check the thing to the ground!

R2. CHOMP.

R3. CHOMP.

Erich Reinhardt

[spur claws! -1R]

Dice: 10 d10 TN7 (2, 2, 3, 3, 5, 5, 5, 6, 8, 9, 10) ( success x 3 ) Re-rolls: 1

Erich Reinhardt

+2 dam!

Dice: 10 d10 TN6 (3, 6, 6, 7, 7, 7, 8, 8, 8, 10) ( success x 9 )

only the wind.

[YELP]

Dice: 7 d10 TN6 (2, 3, 5, 6, 7, 8, 9) ( success x 4 )

only the wind.

Catcher

Erich feels his claws sink into something: hot, meaty, real. He feels blood that he does not see. He feels a twist in a body that tries to reject what he's done. And then --

[1a!]

Dice: 9 d10 TN7 (1, 4, 4, 6, 6, 7, 8, 9, 9) ( success x 4 )

only the wind.

Catcher

[Damage]

Dice: 10 d10 TN6 (1, 1, 1, 2, 2, 6, 6, 7, 9, 10) ( success x 5 )

Erich Reinhardt

HDY >:[

Dice: 6 d10 TN6 (1, 2, 2, 3, 5, 5) ( fail )

Sam Evans

[percept (insightful) + alert]

Dice: 7 d10 TN8 (4, 4, 4, 4, 5, 6, 7, 10) ( success x 1 ) Re-rolls: 1

Sam Evans

[I WILL LEARN YOU HOW TO SNATCH A BABY GHOST: dex+ath+WP]

Dice: 6 d10 TN7 (1, 1, 2, 3, 3, 3) ( success x 1 ) [WP]

only the wind.

Teeth sink hard into Erich's shoulder, right into his ruff. This time the blood is real, visible, bright red on the steely gray of Erich's fur. He hears a growling as the thing rips its fangs out of him, taking an equal chunk from his body. The pain is intense, searing, and the snarl in his ear is an even louder warning.

--

Sam, in the meantime, tries to find the kid first. It isn't running anymore. She can just hear a tinny, airy voice begging for help, whimpering. She looks, searching for the scuffs in the woodchips that aren't being caused by the fight between Erich and the invisible monster. Her eyes, even in the dark, catch a hint of smaller, subtler movement and she goes for it, reaching into thin air until she makes contact with something that feels warm and alive.

It grabs at her arms with hands that are equally warm; strange, since people who make contact with ghosts typically describe their touch as icy cold. But it crawls into her arms no differently than Jake might, and from the feel of what she holds, the child in her arms that may not be a child at all feels only three years old, four at most. Heavy as one. But small, and trembling.

Erich Reinhardt

[o right should probably -1WP for resist pain.]

Erich Reinhardt

[dex+ath vs diff 7]

Dice: 8 d10 TN7 (2, 2, 6, 8, 8, 9, 10, 10) ( success x 5 )

only the wind.

[Yeah not even gonna roll since diff is 6 + attacker's suxx. Thing fall down go boom.]

only the wind.

[-2 diff for Erich's next attack]

only the wind.

[Clawing at Erich from where it lies]

Dice: 9 d10 TN8 (1, 3, 3, 3, 5, 5, 7, 8, 9, 10) ( success x 3 ) Re-rolls: 1

only the wind.

[Damage]

Dice: 9 d10 TN6 (2, 2, 3, 3, 4, 5, 7, 7, 8) ( success x 3 )

Erich Reinhardt

[RARSOAK.]

Dice: 6 d10 TN6 (6, 6, 7, 7, 8, 9) ( success x 6 )

Erich Reinhardt

[RARCHOMP.]

Dice: 10 d10 TN3 (1, 1, 4, 4, 6, 7, 8, 8, 8, 9, 10) ( success x 9 ) Re-rolls: 1

Erich Reinhardt

[dam+8]

Dice: 17 d10 TN6 (1, 1, 3, 4, 5, 5, 5, 5, 6, 7, 7, 9, 9, 9, 9, 10, 10) ( success x 9 )

only the wind.

[soak!]

Dice: 7 d10 TN6 (2, 2, 5, 5, 7, 7, 10) ( success x 3 )

only the wind.

[GRAR]

Dice: 9 d10 TN7 (1, 2, 3, 3, 3, 3, 8, 10, 10) ( success x 3 )

only the wind.

[GRRR]

Dice: 9 d10 TN6 (1, 2, 3, 5, 7, 10, 10, 10, 10) ( success x 5 )

Erich Reinhardt

[GRRRRSOAK]

Dice: 6 d10 TN6 (3, 4, 6, 7, 9, 10) ( success x 4 )

only the wind.

When Erich charges the invisible fiend, he feels it grunt in response to his force. It goes down easily, suddenly, skidding over the ground, lashing out at Erich... though somewhat feebly. Erich rips into it with his teeth, and he must have hit its belly because he feels viscous heat everywhere, feels what would be a rush of blood across his face and ruff. He sees nothing. He tastes nothing. There is no scent. Only that sensation. Only touch and sound.

The thing twists, yelping, the ground displaced by a flurry of motion. In Sam's arms, the child shivers, twisting as well, as though turning to look at something that even Sam cannot fully see. It tries to call to Erich:

watch out!

but it isn't needed. Even when the thing bits into Erich's shoulder, it does only glancing harm. Erich is, after all, made of stock from northern lands, open seas. His spirit hails from storms and mountainous crags. He'll be fine.

Erich Reinhardt

Erich wants to call something back. Thanks! Maybe he can add a kid, the way hardboiled detectives and cowboys and other assorted badasses from the movies do.

But Erich can't call back. His mouth is full of what feels like blood and viscera, though he can't see or feel or even taste any of it. His ears are full of the rush of his pulse, his mind a veneer of eerie painlessness overlying the cold removed awareness of damage done to his own body. His heart is full of thunder, and the way he sees it whether or not he'll be fine isn't really the point.

The point is:

he'll win this fight. Which must be won.

Erich Reinhardt

Dice: 10 d10 TN5 (2, 3, 3, 4, 5, 5, 6, 7, 7, 7, 10) ( success x 7 ) Re-rolls: 1

Erich Reinhardt

[dam+6]

Dice: 15 d10 TN6 (1, 2, 2, 3, 3, 4, 5, 5, 6, 7, 7, 8, 9, 9, 10) ( success x 7 )

only the wind.

[mother of god, erich]

Dice: 7 d10 TN6 (3, 4, 4, 7, 8, 9, 10) ( success x 4 )

only the wind.

x_x

only the wind.

Erich Reinhardt grew up in Nebraska. Big family, farms, lots of drilled-in morals both mortal and supernatural.

Samantha Evans grew up in Vermont. Big family, protective father, lots of drilled-in morals both mortal and supernatural.

They are very different people. They are of different tribes. One is big and one is small. One lives in a condo in the city and one lives in a tiny wheeled house in the mountains. But both of them have deeply ingrained, reverently held ideas of what is right and what is wrong, what is okay and what is very very very not-okay. They have different ways of showing it. At Tommy T's, when there was no hope for victory or even survival, Erich still stood up and yelled in the face of something evil that he wasn't going to just slink away; he'd die fighting if he had to. Samantha, with a building burning down around her and only death at the end of the tunnel, rescued a near-catatonic woman and a helpless infant; she'd die helping them if she had to.

Not for glory. Not for pride. But because to do anything else would have been to turn their backs on something intrinsic to their natures. At the moot just a few nights previous, Avery Chase got up and called Erich's heart pure. If she knew Sam Evans and her deeds, she would say the same of the kinswoman. Some quote Dumbledore; they say everyone has to choose between what is right and what is easy. For people like Erich and Sam, it's almost as though there is no difference: they choose what is right. They don't find it easy to do anything less.

--

So he lunges for the thing, invisible and monstrous, that is making another invisible thing scared and helpless. Because even though he doesn't know everything about the situation, that is the only thing he knows would be the right thing to do.

So she lunges for the helpless invisible thing, lifting it up to her arms and cradling it close. It clings to her in a way that she is starting to find familiar from raising her own kid; surely by now she's getting used to being the recipient of instant, deep trust.

And Erich kills the monster.

And Sam rescues the baby.

It would be amazing and incredible, if they were anyone but who they already are. And it is certainly heroic. But it isn't surprising. It shouldn't be, to anyone. This is who they are. This is why they were both here tonight: to simply be good, in a world that has gotten so dark that it finds goodness shocking.

--

Erich, panting steaming breaths into the chilled air, waits for another blow, a rustle, a growl, something. He hears nothing. He sees nothing. It probably takes a while for his hackles to go down, in fact. But no attack comes. And Sam doesn't feel anything trembling in her arms anymore. The child is relaxed, but urging her to let it down, leaning towards the ground to indicate this in a way that Jake does when he wants to crawl instead.

Erich Reinhardt

It does take some time for Erich to settle down. Some time, after that last catastrophic bite, for him to stop prowling in circles, for him to stop sniffing and growling and snapping at the darkness, for him to stop seizing that invisible dead-thing with his teeth and shaking it side to side to side to side.

Some time for his great heart to stop pumping gasoline and flame; start pumping blood again. Some time for his hackles to settle, some time for his Gift to depart -- for that unsettling numbness to creep away, for the stark awareness of pain and cold to return.

He pulls a small gourd from his fur. Charlotte gave it to him -- insists that he always carries at least one, even if he's only going to the corner store for milk -- and right now he is grateful for it. He holds it between his teeth as he pushes off the ground with his forepaws,

rises,

becomes a young man again. He spits the gourd out into his palm and he looks around for Sam, for the invisible child. He trots over to Sam, or he would, except he's not really all that capable of trotting right now. So, okay. He limps over to Sam.

"Where'd the ghost kid go?" He observes the position of her arms. "Have you got him? Do you think he's hurt? I have a Gaiasbreath talen here."

Sam Evans

Terrible things happen behind her, but Sam is focused, just as she was in Babi Yar, just as she was in Tommy T's. She has a goal and she will reach that goal and then probably consider a new one. In this case, step one is Grab Tiny Invisible One. Step Two is Get the Liabilities Away from the Fight. Of all the lessons she learned growing up, one of the most important ones to her is to stay out of the way of the Garou when they're fighting. It's less concern about her personal safety and more a desire to not be a distraction. Erich may or may not be thinking about the kinswoman and the tiny spirit thing while he claws and slams into and bite bite bites the invisible thing, and Sam is going to make sure he doesn't have to.

She doesn't run away, though. There's distance but she stops, turns, watches a wolf fight against the air, blood streaming through his fur. Child in one arm, gun returned to the other. Watching.

Silence filled only with the heavy breathing of the werewolf descends, and Sam feels the invisible child-sized something shift in her arms. She can't see, but she can feel the way its weight pulls and it's familiar. How many times has she felt Jake do that? Or her baby sister back when she was actually a baby? Bending, she lowers the child to the ground. She leaves her free hand hanging at her side, fingers spread a little, palm open, there in case the child-ghost wants to take it. There even if he doesn't.

Erich limps toward her, and Sam moves to close the distance on her end, probably covers a greater distance than the much taller Garou. Just as he asks about the ghost kid, Sam asks, "Are you alright?" which seems like such a silly question considering he's bleeding all over the place. But he's Garou. He was made to handle things mere humans couldn't hope to handle.

"He's here, I think." She looks down, not for a child but for the small depression tiny feet would make in the grass.

only the wind.

Sam, sensing a need, shifts the child downward, bending her knees to let it down even though she can't see when its feet touch the ground. She can certainly feel the weight shift out of her grasp, and she can definitely feel the tiny, warm hand slip into hers, tugging her forward as it jogs toward Erich, meeting him halfway. Erich already has a gourd ready, held in his hand, ready to heal, fix, yes, take care of the baby ghost they saved from the mean Something in the bushes.

Small hand lets go of Sam's larger one.

Small arms wrap themselves tight around Erich's leg.

--

They see the playground around them shimmer and shift; there is some light snow on the ground from an earlier fall that mostly-melted, then iced over. It fades. The scuffs and dents in the woodchips smooth over. They hear laughter, and see flickering shapes running around the playground as trees and bushes change from dark, barren branches to greenery in the full flush of summer. For a moment, the area they are standing in is summer-lit, midday, even though at a distance they can still see winter and darkness.

Right now, though, they stand in a busy playground on a summer day. Children go up the ladder and down the slide. The swings are in motion, an almost musical rhythm of creaking. The children themselves leave trails of color and light behind them as they move, their forms not quite solid or definite.

One child in particular, hazy and indeterminate, with thick, tightly-curled black hair and pearl-black eyes, is hugging Erich's leg, one chubby cheek pressed against his knee. He, or she -- and it is difficult to tell, from clothing and age -- looks up at Erich with a grin full of baby teeth.

Doesn't seem hurt.

Just seems grateful to be saved. To be shifted from one terrifying, cold, lonely, dark plane with only one monstrous companion back to this one, a memory of summer, a vision of friendship and freedom. To be brought back to the right place, the safe place, where the only thing hiding in the bushes is another child to play a game with. Both versions of the playground are true: the empty one at night, the fear of something lurking, waiting to take you away... and the happiness of just jumping on a swing or climbing the monkey bars for no reason at all, wiling away an afternoon in the sunlight with strangers who really are just 'friends you haven't met yet'.

The skin around Erich's knee grows warm, very warm, as the child's body shines a bit brighter. And it's not the same as Mother's Touch, when he can smell his mom's pie or thinks he hears his sister's voice somewhere. It's more like when Melantha or Charlotte group hug with him, or when Avery says nice stuff, or Hector steps up to his side in a fight, or other garou show up at Cold Crescent, or a kinswoman he hardly knows refuses to run away and leave him -- and the baby ghost -- alone with a monster. Call it solidarity, call it loyalty, call it whatever.

That flood of warmth and light from the ghost's hug really just feels like friendship.

--

Laughing aloud, mouth wide open and eyes bright, the kid runs from Erich as his wounds knit back together, healing seamlessly. Runs over to Sam, jumping onto her and hugging her around her waist, face buried in her stomach for a tight, happy second. Runs off again, the way kids do, not really knowing how to say Thank You or You Saved My Soul. Especially not when there are other kids to play with, and a shining sun, and swings and monkey bars and slides.

As the child runs from them, the sunlight Sam and Erich feel slowly begins to fade. Starts to dim. The warmth fades, too, and winter comes back, and the playground empties out. Children dissipate into the darkness and shadow. Their laughter and shouting gets harder to hear, until

there is no wind. It's just dark, and cold, and he's got blood on his clothes but no wounds, and she's got a gun in her hand that she didn't need to fire.

Erich Reinhardt

They've met a few times before, Erich and Sam. Perhaps most memorably that day at Tommy T's, though the one that Erich actually remembers is that one time they played Giant Jenga together. That was in May. That was when summer was still a promise on the air, when the year was young, when this very playground was full of kids and their laughter.

She asks him if he's all right. He exhales this truncated little laugh, lifts an arm to peer at his torn side. "I'll be cool," he says. "Thanks for staying."

And -- and then something thumps against his leg. Something wraps its little arms around him, and Erich knows exactly what it is. It's a little kid. It's a little ghost, hugging him the way kids do, and Erich would know this because Erich grew up on a farm, in a big family, and there were always little kids underfoot.

He ruffles the child's invisible hair. He smiles, and the world around him shifts, and just for a moment --

just for a moment summer is back. It's May again. It's warm and it's bright and there's sunshine everywhere and the flowers are coming into bloom. The night will be cool but not cold, the stars will be bright; it'll be a night for beers with your friends and Giant Jenga with friends you haven't met yet. The playground is alive around them, squeaks and squeals and laughter and shouts.

Erich looks around. Looks every which way, everywhere he can. He is smiling, he is laughing, the sun is glinting off his fair hair and warming his skin, and he keeps one (slightly bloody, we must admit) protective hand securely on the babyghost's back. He sees all of them, all the rest of them climbing the slides and swinging in the swings, and nostalgia and ache are alive in him. So much loss, he thinks, so many young lives cut short. But also, yes: so much hope and joy and brightness.

His wounds close. It feels like friendship. He looks down at his new friend, smiling, giving that curly hair a last ruffle as the little ghost runs off. Not for the first time in this city, and probably not for the last, Erich finds himself giving his eyes a quick swipe with thumb-and-forefinger before he steps back,

and back,

and lets that brief, golden dream of summer recede from him. It's just him and Sam, then. And he looks at her, smiling a little awkwardly and don'tknowwhattosay-ly, shrugging as he puts his hands in the pockets of his fleece hoodie.

He doesn't ask her if she saw that. He doesn't try to discuss it, parse it out, figure out whether they were seeing a slice of little kid heaven or the spirit of this place or one possible spirit of this place or -- what. He leaves it as it is: a little bit of magic, a little bit of supernatural inexplicability.

"Drive you home?" he offers.

Sam Evans

Sam can't help but grin. Erich will be cool. She remembers his packmate, tall slip of a Silver Fang, doing a surprisingly great job of sliding thick heavy blocks of wood from the giant Jenga pile and carefully balancing them on top. She remembers Tamsin who is like a little sister to her. So many good, warm memories of that night. So many good, warm memories since. She's glad that this is one of the good ones with the Ahroun, that the scales of good times and not-so-good times is balanced.

And then there is a small, curly-haired child wrapping arms around her waist and Sam can't help but laugh. One hand slides into that mess of hair, tight little curls coiling around her fingers. She looks around them, too, feels the summery warmth soaking into her wintery clothing, making her for a moment a little warmer. And she smiles, because there, sad as it may be, is the visible representation of what she tries to create. The world around them is dark and cold, but there must be warm comfortable sunny spaces. There must be oases where their kind can sit and relax and take a load off for a little while.

She doesn't hold onto the child when it runs off to join their friends, just stands there and watches. Her mouth smiles but her brows pull together, because she knows. She'll see this again. There will be warm summer days, perhaps at this very park, where Jake will hug her tight and then run off to play with his friends and his friends-he-has-not-met-yet.

Near her, Erich moves, and she sees him swiping at his eyes. Closing that small distance between them, she places her hand at his elbow. Like I get it and like I've got you. It's good he doesn't try to discuss it. Sam has thoughts on moments like these, but honestly, she knows less about this kind of thing than he does. To her it's a piece of magic not meant to be understood, only felt, accepted, and made a part of them.

Then he asks if he can drive her home and the spell breaks. Sam's dark blue eyes widen, her chest puffs out and her shoulders lift with a deep, grateful breath that lets out to say, "Oh my god yes please!"

Erich Reinhardt

Somehow that tips that balance of joy and sorrow in Erich, too. It makes him laugh, open and free and unfettered: not because there's anything really all that funny about a drive home, but just because --

because he's happy. Because tonight was a good night, and they did a Good Thing here.

"Let's go," he says, giving Sam a little nudge with his elbow without removing his hand from his pocket. "I'm parked over here. And y'know... you should come by Cold Crescent sometime. It's a real Sept again. And I bet we could find a box of Jenga down on the dorm floor."

Sam Evans

"Is it?" Sam says, brightening up. "Javed said people were hoping..." she says, and maybe that trails into another conversation, about how the other Ahroun hoped to see it restored, and how he said he'd call her if there was anything she could do. Maybe what Sam can do is find a box of Jenga, or maybe Sam will make a stop at Home Depot tomorrow for a bunch of 2x4s so she can make a set for the sept.

only the wind.

[MY EMOTIONS.]

Thursday, December 12, 2013

christmas lights. gingerbread. chaz.

Erich

It is nearly Christmas! And the tinyhouse is still up in Evergreen. It moves from time to time -- partly to avoid getting an abandoned-vehicle ticket, and partly because the snowfall has been so heavy, and the cold so bitter, that Erich doesn't want the wheels freezing into place. Or the tinyhouse getting totally buried. Or Melantha having to go too far to work every day, and so on and so forth.

Still, for the past week or so, it's been situated in the residential part of town, amongst other little alpine-style houses that are one by one putting on their Christmas costumes. Lights on the eaves, wreaths on the doors, plastic Santas on the lawns -- it all leaves the tinyhouse looking rather shorn and forlorn.

So maybe it's Charlotte's idea that they decorate. Charlotte, who once threw the loveliest birthday party Erich had ever seen, with lights in the tree and meatcakes and candles and and and...

Charlotte, who suggests lights for their house. Little tiny all-white icicle lights draping from the roof outside; big, bright, colorful bulbs inside, plus maybe some fake snow and the like for the cabinets. And a wreath for the door and, of course, a tree. So that's what they're working on right now, with Melantha at work and the two of them at home. Erich is outside on a ladder, hammering tough little brackets to the eaves so they can hang lights up year after year without repeatedly making holes. Charlotte is inside working on inside-decoration-stuff, and just for good measure their tiny little oven is on and Erich is trying to make gingerbread cookies from store-bought mix.

Trying, being the operative word. Though even if it fails, he has eggnog ice cream in the freezer.

The door is wide open. It's frigid inside. Erich yells from the back (or the front, depending on whether the tinyhouse is parked or moving) -- "Hey, can you come see if this is on straight!"

Charlotte

Charlotte does not care about Christmas particularly, but she loves the lights. The time of year demands them. It is dark dark dark and we have to pray to make the sun return; we have to light up the darkness to remind ourselves that the seasons will move as they always do. That we sleep and wake and sleep again. There is a thing called Yule and a thing called Solstice and a thing called Christ's Mass and they have all been folded in together.

It is winter and the snow is deep, and the day is wan and the night is dark and long and the earth sleeps beneath its blanket of frigid white.

But spring will come.

It always does.

--

It is freezing inside the cold snap right now is sharp enough that it makes Charlotte's lungs burn with every breath she takes and even with the tinyfire and the tinyoven both on and the gingerbread cookies maaaaybe burning in the oven (Eric made men. Charlotte made sparrows and and tree branches and eyeteeth) the scent is festive, bright and spicysweet. Whatever she is doing inside is perhaps not traditional but does include the crisp scent of pine branches still metallic with cold and snow, but she abandons it readily enough to poke her head out through the door and then the rest of her body, hands in her pockets, pulling her hoodie close against the cold. She's been working inside so isn't wearing the bulk of her winter's coat and is clenching her jaw because she wants to forestall chattering and tips her head back and up, pale eyes flickering over the lights Erich has already put up.

"Which way do you want it?" Charlotte asks, thoughtfully, her nose wrinkled as she considers his work thus far.

Erich

"I'm trying to get it straight across!" Erich calls over his shoulder. "I mean like the top part, not these dangling lights. Up here? Does this," he points at one bracket, "look like it's straight with this one? Say stop when it's straight."

The second bracket is free in his hand. He slides it very, very slowly down the wood.

Charlotte

Charlotte wants to ask why it has to be straight across, why isn't crooked okay, why - except, well. She is not genuinely a two year old and staring up at him, dark down here but bounded by a half-circle of light spilling from the front door to the tinyhouse, the neighborhood similarly framed by a rich depth of shadow and the bright, welcome glitter of lights on the eaves, trees and doors of the various houses, she watches him with rather bated breath and a small, queer smile on her face until -

"Theretherethere!" Charlotte calls out, excitedly, as the brackets match up, straight across. "Right there!"

Erich

Erich is facing the brackets when she calls like that, so she doesn't see him grin, amused, endeared, happy that she's so happy.

A solid stroke of the hammer knocks the little bracket into the wood. Then he tucks the string of lights over the bracket and just hops backwards off the ladder, hands sliding down the sides, feet hitting the snow with a muffled thump.

"Awesome. All done. Wanna wait 'til Melantha gets here to light it up and decorate the tree? We can set the tree up though." And this is when he notices she's not in any outerwear. "Aren't you freezing? Let's go in."

He throws a brotherly arm around her shoulders. They look a little alike, blond-and-blue. They look nothing alike. He's all meaty upper-midwestern germanic-descent posterboy, cut out for quarterbacking, linebacking, hockey. She's frail and feral, her shoulder bony against his side.

Charlotte

Charlotte is cold. Her nose is red and starting to run; supernatural constitution or not, the sharp cold has that effect on her as her sinuses are already starting to stream, and she stands there are stiff-armed and stiff-legged to stave off the shivers and is stiff shouldered as he throws that brotherly arm around his shoulders but they are close enough now, that she just bumps back against him, all animal affection. familiar and assured.

And she has grown taller. Hardly noticeable day to day but now she is taller than Melantha, a skinny stick of a creature, bird-boned and gleaming-eyed.

"We should light it up now," Charlotte says, considering his work from way down here before she allows him to steer the both of them back inside. " - so that she get to see them all lit up in the darkness, welcoming her home. But we'll wait for her to get home to decorate the tree."

They haven't far to go, to get inside, and Charlotte turns back to pull the front door closed behind them, and inhales deeply. Gives him a sidelong look that might seem sly, except she does seem merely happy.

"The cookies smell good."

No they don't. They smell like they're burning.

But maybe that's just the bottoms.

Erich

"Oh that's an awesome idea. But we should totally wait until she's back to go out and look at the lights outside, 'cause then we can see them with her."

Charlotte closes the door. The air smells like cookies. Erich grins happily, agreeing: "That does smell goo-- wait. No. That smells like burning. SHIT."

-- and he goes to yank the door open on their tiny little oven, fanning the smoke away frantically as he grapples for the oven mitts. Fumbles with the little cookie tray. Gets the cookies out, holds them yelping hot hot hot while Charlotte moves the cutting board off the burners so Erich can set them down there, where

after a moment's inspection

they determine that yes, indeed, the cookies are burnt. But only on the bottom.

"Well," says Erich, optimistic, "I'm sure we can just scrape the tops off and eat them. It'll be a little weird but it'll still be good. You ever had gingerbread cookies before?" He's genuinely not sure. He doesn't trust her ultra-privileged upbringing to have exposed her to such mundane delights.

Charlotte

"'Course I did." Charlotte returns, a quiet little scoff in her voice. All as if. The scoffing note mellows into something rather more quiet and rather more golden, a glowing and vague nostalgia. "We weren't supposed to go into the kitchens," she goes on, explaining then, " - but Cook would pretend not to notice and sometimes she'd save me stuff. Or one of the girls in the scullery. Sometimes I had gingerbread.

"I mean probably." Leans in to sniff then, as Erich examines the cookies and declares that they can just scrape off the burnt part. "When I was little and there was extra pie crust sometimes Cook would save it and give it to us to make shapes with, and we'd sprinkle them with sugar and cinnamon and she'd bake them and we called them scrappies. 'Cos they were made outta scraps, see.

"Phillip didn't like that though. She said it was common." Charlotte finishes with a shrug.

"Do we have icing? We oughta have sprinkles and icing."

Erich

"Yeah," Erich has already taken a spatula out and is hard at work scraping the edible parts of the cookies off the burnt-black parts, "in the fridge, and the little cupboard over the fridge."

A small pause.

"What's your family doing for the holidays?"

Charlotte

How they have room for both sprinkles and icing in the tinykitchen of a tinyhouse is a mystery, but Charlotte opens the cabinet door and Charlotte opens the fridge door and finds both sprinkles and icing and the sprinkles are red and green because the season is red and green, flame-marked and fir-huedand the icing is simply white and maybe it is simply that Erich thought of it and bought them especially to use to decorate cookies or maybe such things simply appear, in the places we need them, at the times we need them. Like some kind of serendipity.

So: sprinkles and icing are ferretted out as Erich scrapes off the burned bits and Charlotte stills a bit, glances from him to the second bottle of sprinkles (these are pink and heart-shaped so, not to seasonal, and they cannot have been here since last Valentine's day since the tinyhouse is younger than that, isn't it?) in her hand and back to him. Puzzlement written across her brow.

Then she shrugs, Charlotte, quick and jerky in Erich's peripheral vision. "I dunno. Maybe a big ball for the Sept. Or something I dunno.

"That's what they used to do."

Erich

It blows Erich's mind sometimes how different their families are. How different their lives were before their lives intertwined and began to run parallel to one another. Maybe that's a sort of serendipity too.

The bag of gumdrops that Erich takes down from a high shelf and plunks next to Charlotte for gingerbread decorations, though? That's totally something he bought 'cause he thought of it 'cause they're gingerbread cookies and that's what you do.

"Do you still talk to them? And your brother, and stuff?"

Charlotte

"I talk to Chas sometimes," returns Charlotte, quietly and not-quite-sulkily. There it something darting in her gaze though. A kind of livid wariness has entered her body language and her pale eyes dart from the gumdrops to Erich's profile to the gumdrops and back again. "Uh, you know. Still."

Erich

"Sometimes," Erich echoes, thoughtful. They are working together, more or less. He scrapes cookies off the cookie pan. She decorates them. The designs are vivid and fanciful and they make no sense at all, except maybe to Charlotte. Erich doesn't mind. He doesn't even mind that he won't really be able to eat these cookies. He made them for Charlotte, and for Melantha, the way Charlotte made them pigeon-beads.

"But not a lot?" He tries to keep his voice quiet, gentle; tries not to make Charlotte feel cornered. He doesn't think it's working, though. The cornered part, at least. "Why not?"

Charlotte

The designs are fanciful. Some of these are gingerbread people Erich cut out with the cookie cutter enclosed with the kit. Some are stranger pieces, occasionally identifiable given the original intent, but more often than not the cookies expanded with the cooking beyond the initial confines and cooked altogether to form what appear to be - in the end - rather fanciful brown blogs.

And Charlotte works quietly with her sprinkles and uses all of them, the Christmas ones and the hearts and the icing and she does have rather clever hands and the designs that started as bare, wintershorn branches or doughy portraits of small birds all fluffed against the cold darting daintily over the surface of a deep-packed snow have become blobby not because she is uncareful or imprecise but rather because she did not understand the way dough expands and spreads in the oven.

The work is slower now though, and Charlotte is bent over it all furrowed and thoughtful and frowning and, yes, uncomfortable. Pricklingly so.

"I dunno," Charlotte murmurs at first, her shoulders twisting in a quick and - yes, defensive - little shrug. "He's doing other stuff now and I dunno what it is. And I'm doing other stuff too and he doesn't know what it is.

"That's all."

Erich

Erich gets the last half-burnt cookie off the pan and then puts the pan in the tinysink to soak. Hands free now, he dusts crumbs off, then folds his arms loosely over his chest as he turns to lean his lumbar back against the counter.

"Do you wanna maybe ... visit D.C. sometime? And see your brother? We could take a Christmas roadtrip. I bet Melantha wouldn't mind. I bet her boss would even give her time off. If she doesn't I could just go talk to her." Beat. Then, slightly mortified: "I mean. With a Gift. Not... beat her up."

Charlotte

Charlotte quickly shakes her head, close-cropped blonde-and-pink hair going all fly away in the dry heat. Wild from static electricity.

"We can't leave the Sept," the girl says, solemnly. Owlishly, and Erich knows its true.

Charlotte does not mean Forgotten Questions.

Erich

He knows it's true. He knows that really, Melantha probably couldn't get time off work either. Not that much time. Not enough time to cross most of the United States west-to-east and east-to-west again, plus time in D.C. with Charlotte's brother. Not when she just started a couple months ago, if that.

Still, he looks a little crestfallen. He angles his gaze down toward his toes for a moment, bare on the wood floor. They always leave their shoes by the door because there's so little space that whatever muck gets tracked in here eventually ends up in their beds. After a moment he raises his head and says, "Well, maybe we can have Chaz visit you out here. I'm sure he'd wanna see you again.

"I mean. If you wanna see him again. Do you?"

Charlotte

"'Course."

There is an undercurrent of deep and quiet passion in Charlotte's voice. She's not really looking at Erich then, not even sidelong, so she doesn't quite catch the moment when his crest falls, does she, and there's something a bit awkward about being joined both spiritually and in such physical proximity and still not looking directly at each other. Or well, Charlotte is the only one who is not looking directly anywhere, isn't she? And she has stopped what she's doing (which is decorating hte mid-section of one of the gingerbread people to look like a spiral-armed green sugar galaxy dotted by giant floating pink hearts) so she doesn't even have that my hands are full excuse.

"He's my brother."

Erich

"Well, let's invite him out here then! And I'll invite my sister out too. She's in college now so she can go wherever she wants, she doesn't even have to tell the rest of the family. And maybe Melantha can invite someone too and it'll be awesome."

This is how Erich thinks. Or: this is how Erich wants to think. He wants to think things are simple like this. That hurts can be paved over like potholes with a few little changes, a few easy fixes. He knows it's not true -- knows it better than most, maybe -- but he still wants to believe.

"You should call him and ask him if he wants to come out. Maybe after the holidays, if he has to go home to your parents instead."

Erich

[to emails! with kai cc'ed!]